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                <text>Ángel Sastre, Jon Sedano (script), Juancho Vélez (color), and Guillermo Fajardo (illustrations)</text>
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                <text>&lt;em&gt;&lt;strong&gt;Venezuela: Crónicas de Ángel Sastre&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;p&gt;"&lt;strong&gt;Jon Sedano&lt;/strong&gt; (1984) is a journalist, director of the portal &lt;em&gt;La Casa de EL&lt;/em&gt;, and a comic book scriptwriter. Closely connected to the world of comics both as a passion—having founded the specialized website in 2011—and professionally as a member of ACDCómic and a critic for &lt;em&gt;Diario Sur&lt;/em&gt;, his first work as a scriptwriter was &lt;em&gt;La batalla de Mosul&lt;/em&gt;, published alongside Ángel Sastre in &lt;em&gt;El País Semanal&lt;/em&gt;, which earned them the &lt;em&gt;La Buena Prensa&lt;/em&gt; award. Specializing in journalistic graphic novels, he is a professor at the University of Málaga, director of the Master's in Photojournalism at Tech España, and a contributor to Cadena Ser. His first independently published work is &lt;em&gt;Venezuela: Crónicas de Ángel Sastre&lt;/em&gt;, where he once again collaborates with the conflict reporter.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Ángel Sastre&lt;/strong&gt; is a Spanish reporter who has spent 15 years covering Latin America. He has traveled across nearly every country on the continent, reporting on coups d’état, the deaths of dictators, natural disasters, drug trafficking, and over 30 elections. His work has taken him into the favelas of Rio and São Paulo, as well as the poorest neighborhoods of Caracas, Lima, Asunción, and Buenos Aires. The year 2010 was particularly intense, following the Concepción earthquake, elections in Colombia, Brazil, and Venezuela, and the dramatic rescue of the 33 Chilean miners—an event that marked a turning point in his career after exhausting days spent in the Atacama Desert.&lt;/p&gt;&#13;
&lt;p&gt;In 2011, he continued his series on &lt;em&gt;elite troops&lt;/em&gt;, embedding himself with BOPE—the brutal special forces unit of Rio de Janeiro—during operations, and with Guatemala’s Kaibiles, where he witnessed the aftermath of indigenous massacres. He has reported from Nicaragua’s &lt;em&gt;La Chureca&lt;/em&gt; landfill, documenting the plight of those who survive by scavenging waste. His investigative work has taken him deep into the Amazon, tracking human traffickers and the victims of child prostitution in Iquitos. In Argentina, he exposed political mafias and human trafficking networks. He has also reported from El Salvador’s prisons and streets, retracing the footsteps of the late Christian Poveda to document the lives of 18th Street gang members.&lt;/p&gt;&#13;
&lt;p&gt;Sastre has investigated illegal immigration routes to the U.S.-Mexico border, riding &lt;em&gt;La Bestia&lt;/em&gt;, the notorious migrant train. He covered the death of Hugo Chávez, the disarmament of the FARC, and spent weeks embedded with the ELN guerrilla. His reporting extends beyond Latin America—he has covered conflicts in Palestine, Syria (where he was held captive for a year by Al-Qaeda), Iraq, and Ukraine (where he was deported). He also joined the &lt;em&gt;Open Arms&lt;/em&gt; rescue ship en route to Libya.&lt;/p&gt;&#13;
&lt;p&gt;His investigations include reporting on the semi-slave labor conditions of migrant workers building Qatar’s World Cup infrastructure, tracking the illegal timber trade from the Peruvian Amazon, and exposing the harsh working conditions of the Shipibo indigenous people. In Bangladesh, he documented child marriages and the Rohingya refugee camps. He followed migration routes through Niger—one of the key transit points to Libya—and the Balkans. Most recently, he has reported from Afghanistan, bearing witness to the injustices faced by women under the Taliban regime" (Planeta Cómic, translated from Spanish by &lt;em&gt;Archivo Venezuela&lt;/em&gt;).&lt;em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;*This volume of graphic chronicles is an exceptional addition to this digital archive. Its authors are not Venezuelan emigrants but Spaniards. However, their testimonial narrative benefits from the immediacy of on-the-ground reporting on Venezuela’s sociopolitical crisis, while also offering the distinct perspective of foreign observers like Ángel Sastre and Jon Sedano. &lt;strong&gt;(Archivo Venezuela)&lt;/strong&gt;&lt;/p&gt;</text>
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                <text>Graphic novel, graphic chronicle, testimony, autobiography, Venezuela, sociopolitical crisis, political repression, human rights, authoritarianism, Ángel Sastre, Jon Sedano, Juancho Vélez, Guillermo Fajardo</text>
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                <text>&lt;h2&gt;Interview with Ángel Sastre for &lt;em&gt;48 horas Magazine&lt;/em&gt;&lt;/h2&gt;&#13;
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&lt;h2&gt;&lt;br /&gt;Review of Venezuela: crónicas de Ángel Sastre by &lt;em&gt;El Rincón del Cimmerio&lt;/em&gt;&lt;/h2&gt;&#13;
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&lt;h2&gt;&lt;/h2&gt;</text>
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                <text>ISBN-13 ‏ : ‎ 978-8411120005</text>
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                <text>&lt;em&gt;&lt;strong&gt;Superhéroe&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>"Gabriel has moved to a new country where things can be quite strange: the words are completely different, he has a couple of arch-enemies at school, and his math teacher looks like an alien plotting an invasion of Earth. Luckily, he's an expert on superheroes and knows exactly what it takes to face these challenges and come out victorious." (Ediciones Ekaré)</text>
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                <text>&lt;h2&gt;Lucas García presents &lt;em&gt;Superhéroe&lt;/em&gt;&lt;/h2&gt;&#13;
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                <text>Laura Guarisco</text>
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                <text>&lt;a href="https://www.planetadelibros.com.pe/libro-nido/385029"&gt;Planeta Cómic&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Premio Nacional de Novela Gráfica 2024&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"In this work of autofiction, the author portrays her own life experience with simplicity and precision, while also capturing the reality of many of her compatriots: uprootedness, nostalgia, fear, xenophobia, helplessness, and hope. Ángel is one of more than seven million Venezuelans who had to leave their homeland. From working as a Rappi delivery driver to practicing as an architect, from leaving his country behind to finding a new home—this work is essential for understanding migration, a global issue, through the lens of a real author and protagonist" (Planeta Cómic, translated from Spanish by Archivo Venezuela)</text>
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                <text>&lt;h3&gt;Review of &lt;em&gt;Nido&lt;/em&gt; on &lt;em&gt;Cultura Comfama&lt;/em&gt;, YouTube, March 11, 2024.&lt;/h3&gt;&#13;
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&lt;div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;"&gt;View this post on Instagram&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"&gt;&lt;a href="https://www.instagram.com/p/C-DJxcOOjNA/?utm_source=ig_embed&amp;amp;utm_campaign=loading" style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" target="_blank" rel="noopener"&gt;A post shared by Laura Guarisco (@guarisquin)&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
&lt;/blockquote&gt;&#13;
&lt;script async="" src="//www.instagram.com/embed.js"&gt;&lt;/script&gt;&#13;
&lt;h3&gt;&lt;br /&gt;&lt;br /&gt;John Jatenjor interviews Laura Guarisco on the occasion of the publication of &lt;strong&gt;&lt;em&gt;Nido&lt;/em&gt;&lt;/strong&gt;&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/lObT94oJMWY?si=-NJo7CzjgIsw6HtK" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;&lt;br /&gt;Entrevista a Laura Guarisco,&amp;nbsp;&lt;strong&gt;&lt;em&gt;2entesmagazin Arte y Cultura&lt;/em&gt;&lt;/strong&gt;&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/Ul1-qZwKhBA?si=LZG4MTfc84V4ZLlW" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&#13;
&lt;h3&gt;&lt;br /&gt;Discussion with Laura Guarisco at the &lt;em&gt;Fourth Comic and Illustration Salon&lt;/em&gt;, Medellín, 2023.&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/VAEm7xsGMGQ?si=KQabB2JPW-5GK7eK" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3 class="a_t"&gt;&lt;br /&gt;Santiago Torrado, "&lt;a href="https://english.elpais.com/culture/2023-11-03/venezuelan-comic-books-also-migrate.html#?prm=copy_link"&gt;Venezuelan comic-books also migrate: ‘Nido,’ the new graphic novel by illustrator Laura Guarisco, presents a moving portrait of migration and diaspora&lt;/a&gt;",&amp;nbsp;&lt;em&gt;El País&lt;/em&gt;, 3 de noviembre de 2023.&lt;br /&gt;&lt;br /&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.bibliotecanacional.gov.co/es-co/actividades/noticias/en-la-bnc/premio-nacional-de-novela-grafica-2024-nido"&gt;&lt;span&gt;Biblioteca Nacional de Colombia, "&lt;em&gt;Nido&lt;/em&gt;, de Laura Guarisco, gana el Premio Nacional de Novela Gráfica 2024".&lt;/span&gt;&lt;/a&gt;&lt;/h3&gt;</text>
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Luis Lestón</text>
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                <text>French edition translated by Julia Cultien: &lt;em&gt;Non, pas toi !&lt;/em&gt;: &lt;a href="https://www.les-notes.fr/analyse/non-pas-toi/"&gt;&lt;strong&gt;&lt;em&gt;Non, pas toi !&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://issuu.com/edicionestecolote/docs/no_tu_no_issuu"&gt;Promotional excerpt from &lt;strong&gt;&lt;em&gt;¡No, tú no!&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;Lecture by Fanuel Hanán Díaz at the 2019 Children's Literature Festival.&lt;/strong&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;strong&gt;&lt;br/&gt;Discussion with Fanuel Hanán Díaz on "Criteria for Evaluating and Selecting Children's Literature.&lt;/strong&gt;&lt;/p&gt;&#13;
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ISBN: 9782358711142, 2358711144 (French edition).</text>
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