<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1191">
    <dcterms:title><![CDATA[<em><strong>KICK</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic music--Venezuela; Experimental music; LGBTQ+ artists--Venezuela; Venezuelan diaspora; Gender identity; Avant-garde music]]></dcterms:subject>
    <dcterms:description><![CDATA[Compilation album by Venezuelan electronic artist Arca (Alejandra Ghersi Rodríguez, Caracas, 1989), resident in Barcelona, Spain, released December 9, 2022 via XL Recordings. The 21-track fan-voted selection synthesizes the five-volume KICK cycle (2020–2021), which established Arca as the first Venezuelan and Latin American artist nominated for a Grammy Award in Best Dance/Electronic Album.]]></dcterms:description>
    <dcterms:creator><![CDATA[Arca]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/artist/5EvFsr3kj42KNv97ZEnqij]]></dcterms:source>
    <dcterms:publisher><![CDATA[XL Recordings]]></dcterms:publisher>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alejandra Ghersi Rodríguez]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>"Nonbinary"</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/OmqcRi2JiQ4?si=QmhdFTYhOvVPGoNa" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.elnacional.com/entretenimiento/propulsiva-lasciva-diferente-arca-la-artista-del-presente-y-del-futuro/">Profile — El Nacional: "The artist of the present and future" (2024)</a></h3>
<h3><a href="https://es.wikipedia.org/wiki/Arca_(cantante)">Wikipedia ES — Arca</a></h3>
<h3><a href="https://open.spotify.com/artist/5EvFsr3kj42KNv97ZEnqij">Official profile — Spotify / XL Recordings</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Compilation album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0044]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Spain]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1187">
    <dcterms:title><![CDATA[<em><strong>Hotel Caracas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Popular music--Venezuela; Identity (Psychology); Return migration; Venezuelan identity; Latin pop music]]></dcterms:subject>
    <dcterms:description><![CDATA[Third studio album by Venezuelan-born Miami-based duo Mau y Ricky, released May 31, 2024 under their independent label Why Club Records. The 15-track project was conceived and partially recorded during the brothers&#039; return to Venezuela after 15 years of absence, with all music videos filmed in Caracas employing over 200 local creatives. Received three Latin Grammy nominations and named one of Billboard&#039;s 24 best albums of the year.]]></dcterms:description>
    <dcterms:creator><![CDATA[Mau y Ricky]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/album/5ZH7IdEga8gne83NYz8nsS]]></dcterms:source>
    <dcterms:publisher><![CDATA[Why Club Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mauricio Reglero Rodríguez; Ricardo Reglero Rodríguez; Malay; JonTheProducer; Arcángel; Guaynaa; Ilegales]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Documentary "Detrás de la Puerta" — Episode 3 (video, official YouTube)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/BoUgKx8iQuY" title="Mau y Ricky — Detrás de la Puerta EP 3" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.rollingstone.com/music/music-latin/mau-y-ricky-hotel-caracas-interview-1235030049/">Interview — Rolling Stone (May 2024)</a></h3>
<h3><a href="https://www.billboard.com/music/latin/mau-y-ricky-interview-venezuela-hotel-caracas-album-1235617811/">Interview — Billboard (February 2024)</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0043]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1186">
    <dcterms:title><![CDATA[<strong><em>¿Quién trae las cornetas?</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Popular music--Venezuela; Reggae--Venezuela; Caribbean music; Venezuelan identity; Latin alternative music]]></dcterms:subject>
    <dcterms:description><![CDATA[Fifth studio album by Caracas-formed band Rawayana, released September 21, 2023 via Brocoli Records. Comprising 22 tracks, the album marks a tonal shift from the politically charged predecessor Cuando los acéfalos predominan (2021) toward collective joy and Caribbean identity. Features collaborations with Danny Ocean, Elena Rose, and Monsieur Periné. Won the 2025 Grammy Award for Best Latin Rock or Alternative Album.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/album/3UedVnaIbI3SRuMLClWiJ3]]></dcterms:source>
    <dcterms:publisher><![CDATA[Brocoli Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alberto Montenegro; Antonio Casas; Andrés Story; Alejandro Abeijón; Danny Ocean; Elena Rose; Monsieur Periné; Bebo Dumont]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Tiny Desk Concert (video, NPR El Tiny, 2023)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/CbotsXwCbNE" title="Rawayana: Tiny Desk Concert — NPR El Tiny 2023" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.npr.org/2023/09/19/1199767249/rawayana-tiny-desk-concert">Tiny Desk Concert — NPR (2023)</a></h3>
<h3><a href="https://open.spotify.com/album/3UedVnaIbI3SRuMLClWiJ3">Album on Spotify — Brocoli Records</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0042]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1180">
    <dcterms:title><![CDATA[<em><strong>Si te pica es porque eres tú</strong></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[&quot;Feliz año&quot;]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Popular music; Humor; Social criticism; Resilience; Virality; Rawayana; Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[The song that Rawayana released to welcome 2026 was conceived as a message of hope and balance in the face of uncertainty. With a reflective tone and a sense of collective sensitivity, the track invites listeners to stay grounded, take care of one another, and remain steady in turbulent times. Following the events of January 3, 2026, that message took on an unexpected resonance and the song went viral, becoming an emotional and symbolic point of connection for many people both within and beyond Venezuela.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:publisher><![CDATA[Brócoli Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2026-01-01]]></dcterms:date>
    <dcterms:relation><![CDATA[<a href="https://open.spotify.com/track/4LIpeIN0AxFMRhnm5tR0HJ?si=fdacabc896dd4ecd"><strong>Spotify (streaming link)</strong></a><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/3jBsx8_gDnU?si=xxOOmoKiEhVV1nb5" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS041]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1179">
    <dcterms:title><![CDATA[<em><strong>Tal vez no se hunda el barco</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[society, hope, metaphor, patience, resilience]]></dcterms:subject>
    <dcterms:description><![CDATA[A hopeful metaphor about the search for solace amid division and disillusionment. With patience, one seeks something deep—“the oldest songs”—as a guiding force. If we manage to maintain our balance, perhaps “the ship won’t sink.”]]></dcterms:description>
    <dcterms:creator><![CDATA[Rodrigo Solo; Viniloversus; Linda Briceño]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2015-06-27]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/s-fF2SpYGxY?si=Gi8g-3PXnAJsDtXI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS032]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1178">
    <dcterms:title><![CDATA[<em><strong>Me fui</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[musical collaboration, nostalgia, transformation, hope, Latin music]]></dcterms:subject>
    <dcterms:description><![CDATA[“Me Fui” is a collaboration that brings together more than a dozen Latin American artists and conveys a deep sense of nostalgia and transformation. The song reflects on the act of leaving, the mourning of change, and the decision to move forward with hope.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reymar Perdomo, featuring Andrés Cepeda, Santiago Cruz, Ventino, Fonseca, Sebastian Yatra, Fanny Lu, Silvestre Dangond, Sanluis, Debi Nova, Victor Muñoz, Raquel Sofía, Juan Fernando Velasco, Leslie Shaw, Astrid Marrufo, Cáceres, and Javier Ramirez]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2019-08-29]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<p class="content_type_title"><strong><a href="https://www.radionacional.co/cultura/me-fui-la-cancion-que-narra-la-migracion-venezolana">‘Me fui’: la canción que narra la migración venezolana</a></strong><br /><br /><br /></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/E8XKPmMz21Q?si=SbGDKI_pTK6fv173" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>Carlos Vives, Andrés Cepeda, Santiago Cruz, and Reymar Perdomo Sing "Me fui"</strong> <a spellcheck="false" href="https://www.youtube.com/hashtag/unchallengeporvenezuela" dir="auto">#UnChallengePorVenezuela</a><span dir="auto"> </span><a spellcheck="false" href="https://www.youtube.com/hashtag/somospanascolombia" dir="auto">#SomosPanasColombia</a> <iframe width="560" height="315" src="https://www.youtube.com/embed/XuA5jjUPymc?si=2R4R8Eehn9N8_sfw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS033]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1177">
    <dcterms:title><![CDATA[<em><strong>Veneka</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan identity, female empowerment, popular culture, regional pride, diversity]]></dcterms:subject>
    <dcterms:description><![CDATA[“Veneka” reclaims a historically derogatory term and transforms it into a tribute to Venezuelan women: joyful, self-assured, and multifaceted. The song blends urban rhythms with culinary, sporting, local, and diasporic references to celebrate their talent, independence, and beauty as expressions of identity and cultural resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana and Akapellah]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2024-10-21]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/mjJ8nM_YoYs?si=HSWl5Sxsy_NCQezt" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS034]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1176">
    <dcterms:title><![CDATA[<strong><em>S.O.S Venezuela</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan crisis, urgent plea, solidarity, protest music, social reality]]></dcterms:subject>
    <dcterms:description><![CDATA[“S.O.S Venezuela” is an urgent, emotional plea for attention to Venezuela&#039;s crisis. Neblinna and Kristian Kamilo blend expressive voices and sensitivity to deliver a desperate call for help from the heart of the nation&#039;s reality.]]></dcterms:description>
    <dcterms:creator><![CDATA[Neblinna and Kristian Kamilo]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[12/2/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/NINJaFSfyzg?si=-ajxscoq6DGxC_fW" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS035]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1175">
    <dcterms:title><![CDATA[<em><strong>No hay</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Introspection, melancholy, emptiness, emotional search, alternative music]]></dcterms:subject>
    <dcterms:description><![CDATA[“No Hay” is a deeply introspective and melancholic piece. With a gentle voice and immersive melody, Nana Cadavieco conveys a sense of reflective emptiness, exploring moments where perhaps “there is no” answers, nor certainties.]]></dcterms:description>
    <dcterms:creator><![CDATA[Nana Cadavieco]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[3/4/2009]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/ty8y-2298y8?si=N3zWTF-DHyJJUXBn" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS036]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1174">
    <dcterms:title><![CDATA[<em><strong>Queremos vivir en paz</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[protest, democracy, human rights, freedom, protest music]]></dcterms:subject>
    <dcterms:description><![CDATA[“Queremos Vivir en Paz” is an urgent anthem for freedom and democracy in Venezuela. Laura Guevara blends footage of real protests with lyrics demanding justice, social reconstruction, and respect for human rights. A street voice that refuses to be silenced.]]></dcterms:description>
    <dcterms:creator><![CDATA[Laura Guevara]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2024-07-25]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/luAI2YvZUS0?si=dSnAkwalB_BuuGYX" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS037]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1173">
    <dcterms:title><![CDATA[<em><strong>El paraíso perdido</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[social critique, corruption, exploitation, manipulation, resistance]]></dcterms:subject>
    <dcterms:description><![CDATA[“El Paraíso Perdido” is a critical song that explores how paradise is eroded by corruption and exploitation. Through imagery of consumerism, oppression, and manipulation –&quot;Lead, bread, and circuses / The people pay&quot;– La Vida Bohème makes an urgent call to social awareness and resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[La Vida Bohème]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[11/6/2021]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong>Samantha Plata, "<a href="https://www.indierocks.mx/musica/resenas/la-vida-boheme-caribe-caribe/">La contemporaneidad de los días de verano</a>".&nbsp;</strong><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/b2Ki65-eovA?si=EtZwxXdtQYWUwgfA" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS038]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1172">
    <dcterms:title><![CDATA[<em><strong>Lejos</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[angustia existencial, migración, nostalgia, búsqueda de identidad, pertenencia]]></dcterms:subject>
    <dcterms:description><![CDATA[“Lejos” conveys a deep yearning for escape and belonging. With lines like “What am I doing here? Paying to live… Far from where I was born,” the song captures the frustration of feeling out of place and the urge to reconnect with one’s identity.]]></dcterms:description>
    <dcterms:creator><![CDATA[La Vida Bohème]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2017-03-24]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong><a href="https://www.radionica.rocks/cultura/teatro-arte/lejos-el-canto-nostalgico-de-la-vida-boheme-por-venezuela">Camila Rivas, "'Lejos': el canto nostálgico de La Vida Bohème por Venezuela"</a></strong><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/txM_awhZNW8?si=t1VzXYm5WQZK0d-X" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS039]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1171">
    <dcterms:title><![CDATA[<em><strong>Aguacero</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[poetic metaphor, emotional rain, urban sensuality, musical collaboration, hope]]></dcterms:subject>
    <dcterms:description><![CDATA[“Aguacero” is a richly poetic urban track where Irepelusa and Veztalone blend glowing metaphors —“little lights” become magic— with a sensual, emotive invitation, merging nostalgia, rhythm, and the sense of an emotional downpour.]]></dcterms:description>
    <dcterms:creator><![CDATA[Irepelusa and Veztalone]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2020-05-15]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong><a href="https://www.radionica.rocks/entrevistas/desde-venezuela-para-el-mundo-irepelusa">Interview with Irepelusa</a></strong><br /><br />&nbsp;<iframe width="560" height="315" src="https://www.youtube.com/embed/Tdmt100t1M0?si=zh-fdotSJ2x7XUQl" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS040]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1169">
    <dcterms:title><![CDATA[<em><strong>Esto no es wachi wachi</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Humor, Colloquial expressions, Popular culture, Urban identity]]></dcterms:subject>
    <dcterms:description><![CDATA[A short, enigmatic phrase expressing a playful negation with streetwise flair, using “wachi wachi” as a rhythmic, culturally urban element.]]></dcterms:description>
    <dcterms:creator><![CDATA[Bacalao Men; Horacio Blanco]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2018-04-23]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/P75SnVDGzmw?si=X0Gfc6yiLYwT3pNY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS038]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1165">
    <dcterms:title><![CDATA[<em><strong>Jorge Glem at Philharmonie de Paris: Pajarillo &amp; Classical Greats</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Popular Music, Venezuela, Venezuelan Cuatro, Jorge Glam, Philharmonie de Paris, Jorge Glem]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;After performing Odisea, the magnificent cuatro concerto by Gonzalo Grau, I had the honor of playing this encore, an improvisation inspired by Pajarillo, one of the most iconic forms of Venezuelan llanera music.<br />
<br />
To introduce this piece, I wove together fragments of some of my favorite classical masterpieces, paying tribute to legendary composers. This piece represents a dialogue between classical music and Venezuelan traditions, reaffirming that the cuatro is a universal instrument that transcends cultures and styles&quot; (Jorge Glem).]]></dcterms:description>
    <dcterms:creator><![CDATA[Jorge Glem]]></dcterms:creator>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:relation><![CDATA[Encore/Bis &amp; Improvisation (YouTube) <iframe width="560" height="315" src="https://www.youtube.com/embed/Qob2_5esEtg?si=4qZ20sCI4elBO6cB" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:identifier><![CDATA[MUS031]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1162">
    <dcterms:title><![CDATA[<em><strong>De donde vengo</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Political satire; Venezuela—History—21st century; Guaracha (Music)]]></dcterms:subject>
    <dcterms:description><![CDATA[A danceable and necessary catharsis: a protest anthem in 'New Cool Guaracha' that blends swing, son, cumbia, and jazz to metaphorically express Venezuela's crisis.]]></dcterms:description>
    <dcterms:creator><![CDATA[La Pagana Trinidad]]></dcterms:creator>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Official Video</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br />
<h3 class="cover-title text-center"><a href="https://www.guatacanights.com/noticias/la-pagana-trinidad-album-de-donde-vengo-disco">La Pagana Trinidad: Guarachar en el Siglo 21</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[audio; song]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS030]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1161">
    <dcterms:title><![CDATA[<em><strong>Te vas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Emigration and immigration; Homesickness; Identity (Psychology)]]></dcterms:subject>
    <dcterms:description><![CDATA[A heartfelt tribute to the Venezuelan diaspora, reflecting immigrants’ nostalgia and courage, filmed across global cities to embody both pain and hope of departure.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gaêlica]]></dcterms:creator>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Official Video</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/EoikJBZD-EM" frameborder="0" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[audio; song]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS028]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1160">
    <dcterms:title><![CDATA[<em><strong>Maiquetía</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuela; Emigration and immigration; Homesickness]]></dcterms:subject>
    <dcterms:description><![CDATA[A poignant musical lament about Venezuelan emigration. The song conveys the pain of distance between loved ones, evoking a farewell filled with nostalgia and collective memory.]]></dcterms:description>
    <dcterms:creator><![CDATA[Irán]]></dcterms:creator>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Official Video</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Uf2sCQZCfbE" frameborder="0" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[audio; song]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS029]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1159">
    <dcterms:title><![CDATA[<em><strong>Caracas en el 2000</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Childhood; Homesickness; Caracas (Venezuela); Collective memory]]></dcterms:subject>
    <dcterms:description><![CDATA[<p>A heartfelt love letter that evokes moments of joy and innocence in early 21st-century Caracas.</p>
<div aria-hidden="true" data-edge="true" class="pointer-events-none h-px w-px"></div>]]></dcterms:description>
    <dcterms:creator><![CDATA[Elena Rose; Danny Ocean; Jerry Di]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Official Video</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ftVHkvpGSlc" frameborder="0" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[audio; song]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS027]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1158">
    <dcterms:title><![CDATA[<em><strong>Me lo merezco</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Self‑acceptance; Women—Social conditions; Self‑esteem]]></dcterms:subject>
    <dcterms:description><![CDATA[A powerful ode to self‑love and self‑worth. With vibrant vocals, Elena Rose affirms that we all deserve the best: happiness, peace, and fulfilled dreams.]]></dcterms:description>
    <dcterms:creator><![CDATA[Elena Rose]]></dcterms:creator>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Official Video</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/vhUUoo1hfs4" frameborder="0" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[audio; song]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS026]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
