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                <text>McKlopedia ft. Akapellah</text>
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                <text>&lt;strong&gt;Da lo mejor de ti&lt;/strong&gt;</text>
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                <text>"Venezuelan rap band Mcklopedia got that victory with their new single, “Da Lo Mejor De Ti,” featuring rapper Akapellah, which combines a “do your best” lesson with a curiously contrasting message criticizing the political and social circumstances in Venezuela" (&lt;a href="https://www.billboard.com/music/music-news/rap-mcklopedia-akapellah-venezuela-new-video-7972886/"&gt;&lt;strong&gt;Billboard&lt;/strong&gt;&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;br /&gt;&lt;strong&gt;&lt;a href="http://www.mcklopedia.com"&gt;www.mcklopedia.com&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;</text>
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                <text>Venezuelan music, Ramsés Meneses, McKlopedia, Akapellah, song, fusion, Venezuela, politics, protest</text>
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                <text>2017</text>
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                <text>Song, videoclip</text>
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                <text>Lyrics: Ramsés Meneses.&#13;
Music: Ramsés Meneses, Orestes Gómez &amp; Jamgle Rec.&#13;
Executive production: Santa Suerte.&#13;
Direction/Post-production: Willie DeVille.&#13;
Illustration/Animation: Zukes.&#13;
Recorded in Guadalajara, Jalisco.</text>
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                <text>&lt;em&gt;&lt;strong&gt;Volveré a mi tierra&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Casa Limón Music</text>
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                <text>Nella, diaspora, migration, popular music, song, Venezuela</text>
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                <text>&lt;a href="https://www.wypr.org/2019-09-28/nella-wants-to-be-a-voice-of-hope-for-venezuela"&gt;Reportaje sobre Nella en NPR&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/H0Z-e9QiziQ?si=6CsQXrajqoO51bQb" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;With the collaboration of:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Ana María Simón &lt;br /&gt;Angela Ruiz&lt;br /&gt;Carla Baratta&lt;br /&gt;Carlos Bidiskian&lt;br /&gt;Carmela Ramírez&lt;br /&gt;Damián Suárez&lt;br /&gt;Dayana Mendoza&lt;br /&gt;DJ 13&lt;br /&gt;Elbano Parili&lt;br /&gt;Eloísa Maturen&lt;br /&gt;Erich Wildpret&lt;br /&gt;Federica Arévalo &lt;br /&gt;Franco Tintori&lt;br /&gt;Glennys Colina&lt;br /&gt;Guillermo García&lt;br /&gt;Hely Acosta&lt;br /&gt;Javier Limón &lt;br /&gt;Jean Paul Leroux&lt;br /&gt;Jimmy Quijano&lt;br /&gt;Johana Haussmann&lt;br /&gt;Jorge Glem&lt;br /&gt;Laura Gómez&lt;br /&gt;Linda Briceño&lt;br /&gt;María Gabriela Farias&lt;br /&gt;Mariaca Semprún &lt;br /&gt;Nathalie Botbol&lt;br /&gt;Pastor Oviedo &lt;br /&gt;Patty Pacheco&lt;br /&gt;Penélope Sosa&lt;br /&gt;Prakriti Maduro&lt;br /&gt;Seneidy Davila</text>
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                <text>"Camino por New York muy lentamente&#13;
En un mundo veloz mi paso es lento &#13;
No se a dónde van, ni de dónde vienen&#13;
Yo se a donde a voy, y de donde vengo &#13;
&#13;
Allí, blanca, la ropa baila inquieta&#13;
Solemos saludar volviendo a casa&#13;
Cantamos juntos en torno a la mesa&#13;
Y poco a poquito la vida nos pasa&#13;
&#13;
Volveré a mi tierra&#13;
A pasear sus calles y a pisar su arena&#13;
Volveré a mi tierra &#13;
Venezuela grande, querida y eterna&#13;
&#13;
Volveré a mi tierra&#13;
A cantarle al mar y a la luna llena&#13;
Volveré a mi tierra &#13;
Donde está mi gente valiente y despierta &#13;
&#13;
Prisiones de papel, rostros sin nombres&#13;
Viviendo en un ayer que ahora se rompe&#13;
Vendrá una luz que nos alumbre siempre&#13;
Mientras canto al cielo que nunca miente."</text>
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                <text>Written by Javier Limón  &#13;
&#13;
Voice: Nella &#13;
Guitar: Javier Limón &#13;
Percussion: Israel Suárez 'Piraña' &#13;
Bass: Brigitte Sosa &#13;
Cuatro: Jorge Glem &#13;
Backup vocals: Carmela Ramírez</text>
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                <text>&lt;em&gt;&lt;strong&gt;Rawayana's Tiny Desk Concert&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;strong&gt;Songs&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;High&lt;/em&gt; (ft. Apache)&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Funky Fiesta&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Feriado&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Merengue pa'cintura&lt;/em&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Dame in break&lt;/em&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;br /&gt;&lt;br /&gt;"This Latinx Heritage Month Tiny Desk is celebrating with an 'El Tiny' takeover, featuring a wide array of artists from all corners of Latinidad.&lt;br /&gt;&lt;br /&gt;No Venezuelan party is complete without tequeños. Whether it’s a wedding or a baptism, the cheese-filled treats are a must-have at every snack table — so it makes sense Rawayana pulled up to “El Tiny” with a box to share.&lt;br /&gt;&lt;br /&gt;Kicking things off with hits from the band’s 2016 album, Trippy Caribbean, the Caracas-formed group brought its infectious energy and beach-infused sound to the NPR office. The reggae-groove that defined early songs soon turned into something more expansive, putting a Caraqueño spin on funk, merengue, rock and hip-hop. Rawayana’s set — which included two singles from the forthcoming album, ¿Quién trae las cornetas? — perfectly illustrated how the band’s sound stretches and plays off of musical movements from around the Caribbean diaspora to create something new altogether. &lt;br /&gt;&lt;br /&gt;For more than a decade, Rawayana has been at the forefront of a younger generation of Venezuelan artists that grew up under the country’s socioeconomic crisis. At its Tiny Desk performance, it showcased just how much talent has come out of Venezuela during that time — bringing friends and collaborators like Apache, Irepelusa, Orestes Gómez, Joel Martínez and Eric Chacón to perform — and how much joy and gozadera is still left in store." (Isabella Gomez Sarmiento, September 19, 2023)</text>
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                <text>Music, Venezuela, reggae, psychedelic, electronic, funk, salsa, trippy pop, concert, Latin music, NPR, Rawayana</text>
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                <text>Moving image&#13;
Performance&#13;
Concert</text>
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                <text>&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;a href="https://www.npr.org/2023/09/19/1199767249/rawayana-tiny-desk-concert"&gt;NPR article about Rawayana's Tiny Desk concert&lt;/a&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/CbotsXwCbNE?si=hdtVWZecC-OR-aEe" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;p&gt;&lt;strong&gt;2025 Grammy for Best Latin Rock or Alternative Album awarded to Rawayana.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/fQ0drcoXvb8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"&gt;&#13;
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                <text>Band&#13;
&#13;
Betomonte: lead vocals&#13;
Fofo Story: drums&#13;
Abeja: guitar&#13;
Orestes Gómez: percussion&#13;
Ben Aler: keyboards&#13;
Messy Deprat: bass&#13;
Eric Chacón: saxophone&#13;
Joel Martínez: trombone&#13;
Irepelusa: vocals&#13;
Essa Gante: vocals&#13;
Apache: guest singer</text>
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&lt;h1&gt;&lt;a href="https://www.marianamartincapriles.com/"&gt;MPeach website&lt;/a&gt;&lt;/h1&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.instagram.com/p/DMQ2qSJuDyT/"&gt;Photograph of MPeach from her Instagram account&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;h3&gt;Official Video&lt;/h3&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;/p&gt;&#13;
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                <text>&lt;em&gt;&lt;strong&gt;Qué chimbo&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;h3&gt;&lt;strong&gt;Carmen DeLeon — “Qué Chimbo”&lt;/strong&gt;&lt;/h3&gt;&#13;
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                <text>&lt;strong&gt;“Qué Chimbo”&lt;/strong&gt; is an urban pop song by Venezuelan singer-songwriter Carmen DeLeon, released in December 2023. The work uses the Venezuelan colloquialism &lt;em&gt;“chimbo”&lt;/em&gt;—meaning something disappointing or of poor quality—as the axis of a narrative about emotional empowerment after a failed relationship. With direct and rhythmic lyrics, the song portrays the clarity that precedes a breakup: recognizing that it is better to end things before the damage becomes irreversible. The single has been received as an anthem of self-affirmation among young listeners both in the diaspora and across the continent. The production blends reggaeton influences with elements of contemporary Latin pop.</text>
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                <text>&lt;em&gt;&lt;strong&gt;La mejor bendición&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;h3&gt;&lt;strong&gt;Video&lt;/strong&gt;&lt;/h3&gt;&#13;
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            <description>An account of the resource</description>
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                <text>An emotional tribute to Venezuela; evoking nostalgia for landscapes; flavors; and music while clinging to hope of return.</text>
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            <description>The topic of the resource</description>
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                <text>&lt;em&gt;&lt;strong&gt;El Caracazo 2025&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Crisler, Gona, Reke, Biancucci, Benzina, Trebor, Yoel 905, Nasty Killah, Kechu, Scrop, Horus, Clandes, Nina Fresh, Tao, Lancer Lirical, Nosrex, Mcklopedia, Cpro, Reis Belico, Louis BPM, Big Soto, Sibilino, La Zaga, Rotwaila, Apache</text>
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                <text>&lt;h3&gt;&lt;strong&gt;Video + Post&lt;/strong&gt;&lt;/h3&gt;&#13;
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                <text>&lt;strong&gt;A collective hip-hop anthem that brings together 20 Venezuelan artists in a display of urban unity and national pride.&lt;/strong&gt;&lt;br /&gt;"After 14 years, one of the most iconic anthems of Venezuelan rap is reborn stronger than ever. Twenty-five rappers from Caracas—old and new school—come together in a single track to write another page in the history of Venezuelan hip hop&lt;em&gt;"&lt;/em&gt; (ESE Magazine, translated by Archivo Venezuela).</text>
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                <text>Caracazo, Caracas, Venezuela, 1989; Protest songs—Venezuela; Rap (Music)—Political aspects; Collective memory—Venezuela; Venezuelans—Music; Hip hop</text>
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                <text>&lt;em&gt;&lt;strong&gt;Me rehúso&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Danny Ocean</text>
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                <text>&lt;h3&gt;&lt;strong&gt;Danny Ocean — “Minutos” (crowd sing-along)&lt;/strong&gt;&lt;/h3&gt;&#13;
&lt;p&gt;&lt;a href="https://www.elcorreo.com/la-blanca-vitoria/plaza-canta-unisono-rehuso-danny-ocean-minutos-20250804180606-vi.html"&gt;El Correo article&lt;/a&gt;&lt;/p&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/LbKcHy9cav0" title="Danny Ocean - Minutos" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>An urban romantic ballad about forced separation, expressing both pain and determination to reunite with a loved one.&lt;br /&gt;&lt;em&gt;“Me rehúso”&lt;/em&gt; is a single by Venezuelan singer-songwriter Danny Ocean, released in 2016 and quickly becoming a global hit in Latin music. The song was born out of his migratory and personal experience, after leaving Venezuela and living through a relationship interrupted by distance. &lt;em&gt;“Me rehúso”&lt;/em&gt; has become a generational anthem of the Venezuelan diaspora, expressing both the sense of uprootedness and the hope of reunion.</text>
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                <text>Popular music—Venezuela—2011-2020; Reggaeton (Music); Electronic dance music; Love songs—Spanish; Venezuelan diaspora—Music</text>
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            <name>Identifier</name>
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