<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1195">
    <dcterms:title><![CDATA[<em><strong>It Would Be Night in Caracas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Political violence--Venezuela; Survival; Venezuelan cinema; Women--Venezuela; Social collapse--Venezuela; Film adaptations]]></dcterms:subject>
    <dcterms:description><![CDATA[Feature film directed by Venezuelan filmmakers Mariana Rondón and Marité Ugás, adapted from Karina Sainz Borgo&#039;s novel La hija de la española (2019). Set in Caracas during the 2017 protests, the film follows Adelaida (Natalia Reyes), who returns home after her mother&#039;s death to find her apartment seized by a violent militia. World premiere at the 82nd Venice Film Festival (September 2025); subsequently released on Netflix. Vetoed by the Venezuelan government for domestic distribution.]]></dcterms:description>
    <dcterms:creator><![CDATA[Mariana Rondón; Marité Ugás]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt37656135/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Redrum; Netflix]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Karina Sainz Borgo (novela fuente); Edgar Ramírez (productor); Natalia Reyes (actriz); Camilo Froideval (música); Juan Pablo Ramírez (fotografía)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Interview with directors at Venice 2025 (video, Fred Film Radio)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Lt78Ucarm-k" title="Mariana Rondón and Marité Ugás — It Would Be Night in Caracas, Venice 2025" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.zendalibros.com/mariana-rondon-y-marite-ugas-toda-historia-intima-es-politica/">Interview — Zenda: "Every intimate story is political" (September 2025)</a></h3>
<h3><a href="https://www.otroscines.com/post/critica-de-aun-es-de-noche-en-caracas-pelicula-de-mariana-rondon-y-marite-ugas">Review — Otros Cines (2026)</a></h3>
<h3><a href="https://www.imdb.com/title/tt37656135/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Film]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0016]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Mexico]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1193">
    <dcterms:title><![CDATA[<em><strong>Roads to Nowhere</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Return migration; Animated documentary; Forced migration--Venezuela; Human rights--Venezuela; Documentary film--Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[Animated documentary written and directed by Venezuelan journalist and writer Héctor Torres, produced by La Vida de Nos (Caracas). The film reconstructs six testimonial stories of Venezuelan migrants who attempted to leave the country and either perished or were forced to return, including cases of death in the Darién Gap, detention at the border, and disappearance at sea. Premiered June 11, 2023 at the Trasnocho Cultural in Caracas.]]></dcterms:description>
    <dcterms:creator><![CDATA[Héctor Torres]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt28181777/]]></dcterms:source>
    <dcterms:publisher><![CDATA[La Vida de Nos; Films Austères]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Albor Rodríguez (guion); Octavio Villegas (dirección de arte); Rossana Hernández (dirección actoral)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Trailer</h3>
<iframe width="560" height="315" src="https://player.vimeo.com/video/847700127" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3>Interview with director Héctor Torres (video, July 2023)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/YDII_yJvu7g" title="Héctor Torres — Caminos a ninguna parte" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://hispanopost.com/caminos-a-ninguna-parte-nuevo-documental-de-la-vida-de-nos-que-revela-el-rostro-humano-de-la-crisis-migratoria/">Review — HispanoPost (June 2023)</a></h3>
<h3><a href="https://www.imdb.com/title/tt28181777/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Animated documentary]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0015]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Colombia; Ecuador; United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1185">
    <dcterms:title><![CDATA[<em><strong>Simón</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Political exile--Venezuela; Student protest movements--Venezuela; Asylum seekers; Political violence--Venezuela; Venezuelan cinema]]></dcterms:subject>
    <dcterms:description><![CDATA[Feature film written and directed by Venezuelan filmmaker Diego Vicentini, shot in Miami in 2021. The film follows Simón, a student leader tortured during Venezuela&#039;s 2017 protests, who must decide between seeking asylum in the United States or returning to fight the regime. Winner of six awards at the 2023 Venezuelan Film Festival, nominated for the Goya Award for Best Ibero-American Film.]]></dcterms:description>
    <dcterms:creator><![CDATA[Diego Vicentini]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt13580840/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Black Hole Enterprises]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Christian McGaffney; Marcel Rasquin; Horacio Martinez; Freddy Sheinfeld]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Interview with Diego Vicentini<span style="font-size: 14px;"></span></h3>
<iframe width="560" height="315" style="font-size: 14px;" src="https://www.youtube.com/embed/x89rOa23ee8?si=gLeA4TAhWUXsaJH-" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><br />Official Trailer<span style="font-size: 14px;"></span><iframe width="560" height="315" style="font-size: 14px;" src="https://www.youtube.com/embed/-6AFAeu33E4?si=XG_GRKSUaNfacAn8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe></h3>
<h3><a href="https://cinemacy.com/interview-filmmaker-diego-vicentini/">Interview — Cinemacy (2024)</a></h3>
<h3><a href="https://www.latinxproject.nyu.edu/intervenxions/simon-movie-diego-vicentini-interview">Interview — NYU Latinx Project (2024)</a></h3>
<h3><a href="https://seventhartstudio.com/simon-2023-resena/">Review — Seventh Art Studio (2024)</a></h3>
<h3><a href="https://www.imdb.com/title/tt13580840/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Film]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0014]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1184">
    <dcterms:title><![CDATA[<em><strong>Sounds and Voices of the Venezuelan Diaspora</strong></em>]]></dcterms:title>
    <dcterms:description><![CDATA[<em><strong>Sounds and Voices of the Venezuelan Diaspora</strong></em> is a documentary directed by Luisa de la Ville and Pablo Gil and hosted by Tony Succar. The film explores the stories, challenges, and artistic journeys of Venezuelan musicians living across the global diaspora. Through intimate interviews and musical performances, the documentary highlights one of the most significant cultural migrations of the twenty-first century. Featuring nearly 300 Venezuelan musicians and singers from the United States, Latin America, Europe, Asia, and other regions, the film offers a deeply human portrait of identity, resilience, and the enduring relationship between music and homeland. More than a documentary about migration, the project celebrates the creativity and cultural impact of Venezuelan artists worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Luisa de la Ville (directora)<br />
Pablo Gil (director)<br />
Tony Succar (presentador)]]></dcterms:creator>
    <dcterms:source><![CDATA[YouTube]]></dcterms:source>
    <dcterms:publisher><![CDATA[YouTube]]></dcterms:publisher>
    <dcterms:date><![CDATA[March 10, 2026]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/q4F43nWLf7s?si=uP9Rmv4e1iAar_19" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish and English with English subtitles]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image; video]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0013]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/871">
    <dcterms:title><![CDATA[<strong><em>Children of Las Brisas</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Art and culture; music; children; Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[Set in the sprawling suburbs of Valencia, <strong><em>The Children of Las Brisas</em></strong> is a poetic and observational documentary capturing the struggle and transformation of a group of young musicians striving for a better life through classical music. (IMDb) <br /><br />A musical dream in a country on the verge of collapse The documentary follows three Venezuelan children from the impoverished Las Brisas neighborhood, in their quest to become professional musicians within the ranks of “El Sistema” music program. Throughout a decade, Edixon, Dissandra and Wuilly try to achieve a better future as they face the great challenges of the country’s dire situation. The Venezuelan crisis makes it impossible for them to accomplish their dreams and in their struggle, they represent a society taken over by an autocratic regime.<br /><br /><em><strong>Children of Las Brisas</strong></em> is a story of resistance, resilience and perseverance that explores the power of discipline and classical music as tools for survival" (childrenoflasbrisas.com)]]></dcterms:description>
    <dcterms:creator><![CDATA[Marianela Maldonado]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt3264218/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Brisas Film, Invento Films, Mosaic Films]]></dcterms:publisher>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/WQ_rFbC_kGk?si=OPlvRhF6wRaJPgj3" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><a href="https://www.youtube.com/watch?v=WQ_rFbC_kGk" title="Protagonists of The Children of Las Brisas"><strong>Protagonists of <em>Children of Las Brisas</em></strong></a><br /><br /><br />&nbsp;<iframe width="560" height="315" src="https://www.youtube.com/embed/NoCQE9ohGI8?si=SASYgaC56b8QYRCt" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><a href="https://www.youtube.com/watch?v=NoCQE9ohGI8"><strong>Conversation with Luisa De la Ville, producer of&nbsp;<em>Children of Las Brissas</em></strong></a><br /><br /><br /><br /><a href="https://www.youtube.com/watch?v=CBignIKg3XY"> <iframe width="560" height="315" src="https://www.youtube.com/embed/CBignIKg3XY?si=YFnHp7Y3gDTMa0-q" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <strong>Conversation with Marianela Maldonado (director) and Luisa De la Ville (producer) about the documentary <em>The Children of Las Brisas</em></strong></a><br /><br /><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/Ud4xzxo1oHM?si=BsMX8zSoutMydMCM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><strong><a href="https://www.instagram.com/reel/DGg2A7COzbX/">Promotional video</a></strong>
<h3><a href="https://archivovenezuela.com/items/show/375">A Spanish version of this entry is available here</a>.</h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary film; video]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0012]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/870">
    <dcterms:title><![CDATA[<em><strong>Life of a Dog</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Documentary short film, migration &amp; diaspora, COVID-19, lockdown, motherhood.]]></dcterms:subject>
    <dcterms:description><![CDATA[<em><strong>Life of a Dog</strong></em> is acollaborative short film by two women filmmakers in Canada as they confront their lives in isolation. The women tell of their lives alone, as mothers, overwhelmed as they question their lives. The two stories are intertwined, intimate and universal; they reveal each family through the lens of these times. <br />The women, all living in Montreal, come from different backgrounds. Danae Elon is from Israel and Rosana Matecki is from Venezuela. Both own dogs that help them during this time and connect their stories. <br />In a diary-like style, combining the character voices and fragments of their life under quarantine, the film poetically depicts a personal story about this novel moment, from a woman's point of view. <br />—Productions Entre deux mondes]]></dcterms:description>
    <dcterms:creator><![CDATA[Danae Elon and Rosana Matecki]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt13644716]]></dcterms:source>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h2><strong><em>Life of a Dog </em></strong>is available on <a href="https://gem.cbc.ca/life-of-a-dog/s01">CBC</a> and&nbsp;<a href="https://www.youtube.com/watch?v=J_VTuVQmd4Y&amp;t=1s">YouTube</a>.</h2>
<iframe width="560" height="315" src="https://www.youtube.com/embed/J_VTuVQmd4Y?si=cp8ommGCBdSB4DOv" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><br /><br /><br /><strong>Conversation with Rosana Matecki (director)</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/nlZNv6IFta4?si=xyfLuv14RRFuUm4O" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://archivovenezuela.com/items/show/374">Consulte la versión en español de esta entrada aquí</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary short film; video.]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0011]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/869">
    <dcterms:title><![CDATA[<em><strong>Belén</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Popular music; Afro-Venezuelan music; percussion; documentary; Belén Palacios.]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;Belen, The echoes of a woman dedicated to the music of her people.<br />
How to film the absence of a character that during her life filled with music all the spaces she visited? This seems to have been the dilemma of director Adriana Vila before filming this posthumous portrait of Belén Palacios, a cultural leader, peasant and promoter of Quitiplá, an African-Venezuelan musical rhythm.<br />
The result is a film where silence gives way to endless sounds. The voices from around the world of those who knew her would tell us anecdotes about her life. There is also the hollow blow of the bamboo-like stalks of Quitiplá generating a sweet rumble when they are hit against the floor.<br />
Also, there is Belén&#039;s own voice that offers her testimonies during a series of interviews made through the years. All of the above make up a sound panorama that is nothing more than the echo of an existence that will mark for years the small cocoa village of Tapipa, on the north coast of Venezuela, the place she was born for good.&quot; (https://guidedoc.tv/documentary/belen-documentary-film/)<br />
A trip into the puzzled reminiscences of this woman&#039;s life (and death), captured through more than 100 hours of amateur found footage, and expressed through the mirrored gestures of multiple points of view. An unusual musical portrait filled with personal and collective resonant rituals; a path to understand the power of music, and modest authentic actions, for social transformation.&quot; (adrianavilaguevara.com/Belen)]]></dcterms:description>
    <dcterms:creator><![CDATA[Adriana Vila Guevara]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt5246020/]]></dcterms:source>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong>Adriana Vila on&nbsp;<em>Belén</em> (in Spanish).</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/R4Fzy5bVpY0?si=bYsEX3glESGAd9J5" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br /><strong>Adriana Vila on&nbsp;<em>Belén </em>(in English)</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/0YoO3GTUSls?si=_itOVYlesZMWxI3b" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br /><strong>Promotional Video</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/csoKD9RjiR4?si=9SWh6xaB7nUGrir8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://archivovenezuela.com/items/show/373">Consulte la versión en español de esta entrada aquí.</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[video]]></dcterms:format>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/868">
    <dcterms:title><![CDATA[<em><strong>My Aunt Gilma</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan feature film; domestic violence; childhood; protests; hospital; humanitarian crisis; Alexandra Henao]]></dcterms:subject>
    <dcterms:description><![CDATA[Isabel, 13, takes care of her aunt Gilma, who was admitted to a hospital in Caracas after being beaten by her partner. In the midst of the chaos that surrounds them, Isabel will do anything to save her aunt and keep a promise. (IMDb)]]></dcterms:description>
    <dcterms:creator><![CDATA[Alexandra Henao]]></dcterms:creator>
    <dcterms:source><![CDATA[IMDb https://www.imdb.com/title/tt18176606/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Cromauno Audiovisuales et al.]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<a href="https://www.instagram.com/reel/C4YGWGzpU8p/">Promotional video # 1</a>&nbsp;<br /><br /><a href="https://www.facebook.com/share/v/1Lsb9XCgoo/">Promotional video # 2</a> <br /><br /><a href="https://www.elnacional.com/entretenimiento/mi-tia-gilma-refleja-un-pais-oprimido-por-la-violencia-de-estado-y-de-genero/"><em><strong>Mi tía Gilma</strong></em> refleja un país oprimido por la violencia de Estado y de género</a><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/ZJYNVsuqwdI?si=UwtDfLJSUG2OebUT" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><strong>Conversation with Diana Peñalver (protagonist) and Beto Benites (casting).</strong>
<h3><a href="https://archivovenezuela.com/items/show/372">Consulte la versión en español de esta entrada aquí</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Feature film; video.]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/867">
    <dcterms:title><![CDATA[<em><strong>#Darién</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[documentary short film, migration, diaspora, Venezuelan exodus, Darien, Panama, female migration, motherhood]]></dcterms:subject>
    <dcterms:description><![CDATA[Two glam queens embark on a surreal journey into the Darien jungle, confronting haunting experiences and personal challenges that reshape their understanding of life and redefine their sense of self. (IMDb) &quot;“I was seeing how more and more Venezuelans were appearing in Manhattan streets, and it was shocking because, historically, Venezuelans could only reach the U.S. by plane. It was impossible by land precisely because the Darien jungle was impenetrable, and now that it wasn’t, New York was definitely a new city for me” (Tatiana Rojas)]]></dcterms:description>
    <dcterms:creator><![CDATA[Tatiana Rojas Ponce]]></dcterms:creator>
    <dcterms:source><![CDATA[IMDb https://www.imdb.com/title/tt34380539/companycredits/?ref_=tt_dt_cmpy]]></dcterms:source>
    <dcterms:publisher><![CDATA[Lobailado Productions]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[“El Norte es una loquera”. Notas sobre el documental ‘#Darien’, de Tatiana Rojas Ponce. https://rialta.org/notas-darien-documental-tatiana-rojas-ponce/ <br /><br />Soundtrack: "El norte es una loquera" <iframe width="560" height="315" preview:="" https:="" www="" youtube="" com="" watch="" v="obSEIUxRKbU" src="https://www.youtube.com/embed/IhMeHpld0PU?si=rPI_iqqNZYrYb_36" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <a href="https://fablasalvajemagazine.com/2024/06/25/darien-entrevista-a-la-documentalista-tatiana-rojas/">Tatiana Rojas (interview)</a>
<h3><a href="https://archivovenezuela.com/items/show/371">Consulte la versión en español de esta entrada aquí</a>.</h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[documentary short film, video.]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0008]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/405">
    <dcterms:title><![CDATA[<em><strong>Los capítulos perdidos</strong></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[<em><strong>Lost Chapters</strong></em>]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Film, Venezuela, Caracas, literature, books, museum, bookstore, Alzheimer&#039;s disease, senile dementia, return, migration, Lorena Alvarado]]></dcterms:subject>
    <dcterms:description><![CDATA[After years abroad, Ena returns to Venezuela with a fragmented sense of self. At home, she finds her grandmother losing her grasp of reality. Meanwhile, her father spends his days looking for rare books in an attempt to safeguard the country’s literary past. When Ena discovers a mysterious postcard inside a book, she embarks on a search across Caracas to uncover a forgotten writer. Her search gradually interweaves with her grandmother’s memory loss and her father’s quixotic dreams (<a href="https://www.joseostos.com/los-captulos-perdidos">Source</a>).<br /><br /><a href="https://www.imdb.com/title/tt32551664/">IMDb profile</a><br /><br /><a href="https://www.lorenalvarado.com/">Lorena Alvarado's website</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Lorena Alvarado]]></dcterms:creator>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong><a href="https://inreviewonline.com/2024/07/01/lost-chapters/">Chris Cassingham's review of&nbsp;<em>Lost Chapters&nbsp;</em>for&nbsp;<em>In Review Online</em></a><br /><br /><br />Promotional video for&nbsp;<em>Los capítulos perdidos</em></strong><iframe width="560" height="315" src="https://www.youtube.com/embed/9_geK-k0aJk?si=sqttCFyLyjGRebYX" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong><br /><br /><em><br /></em><em><img src="https://inreviewonline.com/wp-content/uploads/2024/07/Los-capitulos-perdidos-FID-1024x579.jpeg" width="563" height="317" /><br /></em><br />Credit: FIDMarseille<br /></strong>]]></dcterms:relation>
    <dcterms:format><![CDATA[Feature film<br />
Video]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/180">
    <dcterms:title><![CDATA[<em><strong>Women of Venezuelan Chaos<br /></strong></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[<em><strong>Mujeres del caos venezolano<br />Femmes du chaos vénézuélien</strong></em>]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Film, Venezuelan, documentary, testimony, humanitarian crisis, health crisis, state violence, authoritarianism, criminal violence, devaluation, energy crisis, electricity rationing, water rationing, food rationing, censorship, political repression, human rights violations, Margarita Cadenas]]></dcterms:subject>
    <dcterms:description><![CDATA["Five women from Venezuela, from different backgrounds and generations, draw a portrait of a society in perdition and allow us to take the pulse of a population in distress, to represent a sort of barometer of the situation of this Latin American nation" (<a href="https://www.imdb.com/title/tt6498064/">Source</a>).]]></dcterms:description>
    <dcterms:creator><![CDATA[Margarita Cadenas]]></dcterms:creator>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<a href="https://www.hrw.org/es/news/2018/05/29/mujeres-del-caos-venezolano">Film review by Tamara Taraciuk Broner, former director of the Americas Division at Human Rights Watch.</a><br /><br /><br /><strong>Promotional video for </strong><em><strong>Mujeres del caos venezolano.</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/3MiNctdeqww?si=S2HpdZEk8-vCS_Z3" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> </em><br /><br /><br />
<p><strong>Conversation with Margarita Cadenas on <em>Mujeres del caos venezolano</em> for EVTV Miami.</strong></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Ur1Q-L-e5As?si=D91Lej9rzCJN4rLa" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><br /><strong>Documentary available on YouTube</strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/s3aWx2NbDlM?si=IjLQQAdDGqGIqQsc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>Debate with Margarita Cadenas on <em>Mujeres del caos venezolano</em>, organized by Institut français d'Espagne </strong><iframe width="560" height="315" src="https://www.youtube.com/embed/tbcqDoYrTY4?si=w2R8oqJwt-7UlCrY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://archivovenezuela.com/items/show/180">Consulte la versión en español de esta entrada aquí.</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary film<br />
Video]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/179">
    <dcterms:title><![CDATA[Once Upon a Time in Venezuela]]></dcterms:title>
    <dcterms:alternative><![CDATA[Érase una vez en Venezuela]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Film, documentary, Venezuela, Congo Mirador, Lake Maracaibo, environmentalism, environmental pollution, ecocriticism, Venezuelan politics, authoritarianism, Anabel Rodríguez Ríos]]></dcterms:subject>
    <dcterms:description><![CDATA["<span>On Lake Maracaibo, beneath the mysterious silent Catatumbo lightning, the village of Congo Mirador is preparing for parliamentary elections. For streetwise local businesswoman and Chavist party representative Tamara every vote counts, fought by all means, while for opposition-supporting teacher Natalie, politics is a weapon unsuccessfully attempting to force her from her job. And with her sharp eyes, little Yoaini sees her community sinking from sedimentation, her childhood and innocence with it. How can a small shing village survive against corruption, pollution and political decay – a reflection of all the flaws of contemporary Venezuela" (<a href="https://www.onceuponatimeinvenezuela.com/">Source</a>).<br /><br /><a href="https://www.onceuponatimeinvenezuela.com/"><strong>Website</strong></a>.<br /><br /><a href="https://www.imdb.com/es/title/tt11391604"><strong>IMDb profile</strong></a>.</span>]]></dcterms:description>
    <dcterms:creator><![CDATA[Anabel Rodríguez Ríos (directora)]]></dcterms:creator>
    <dcterms:date><![CDATA[2020]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h4><strong>Promotional video for <em>Érase una vez en Venezuela</em></strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/l4FBSGh2h74?si=KM6c1JzjIqnxqSTw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br />
<h4><strong>Conversation with Anabel Rodríguez Ríos on <em>Érase una vez en Venezuela</em> for <em>Diáspora Venezolana</em>.</strong></h4>
<iframe width="560" height="315" src="https://www.youtube.com/embed/ocKo-1IIW4M?si=BPni6hqpgMv8OXcs" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br />
<h4></h4>
<br /><strong><em>Érase una vez en Venezuela,</em> Congo Mirador, el reflejo de la caída del país. </strong><iframe width="560" height="315" src="https://www.youtube.com/embed/6HhetENBnwE?si=8YzIHmSZB4cfXe2J" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br /><a href="https://variety.com/2020/film/reviews/once-upon-a-time-in-venezuela-review-subtly-powerful-documentary-probes-a-ghost-town-in-the-making-1234843099/">Review: <strong><em>O</em><em>nce Upon a Time in Venezuela: </em></strong>Subtly Powerful Documentary Probes a Ghost Town in the Making.</a>
<h4><a href="https://archivovenezuela.com/items/show/179">Consulte la versión en español de esta entrada.</a></h4>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary film<br />
Movie]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/178">
    <dcterms:title><![CDATA[<em><strong>Desde allá</strong></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[<strong><em>Los amantes de Caracas<br />From Afar</em></strong>]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Film, Venezuela, homosexuality, crime, Lorenzo Vigas]]></dcterms:subject>
    <dcterms:description><![CDATA[Armando, a middle-aged owner of a Caracas dental prosthesis business, is estranged from his father, who he observes occasionally from a distance. He finds a young man of the streets who negotiates a fee high enough for the boy to be used to provide Armando's masturbatory object. Although a following encounter ends in a beating for Armando, he continues to make the boy dependent. What is the final result that Armando desires? Is it something more than a conflicted relationship with a hustler? (<a href="https://www.imdb.com/es/title/tt4721400/">Source</a>).<br /><br />Winner of the <strong>Golden Lion</strong> at the <strong>Venice Film</strong> <strong>Festival</strong>, <strong>Best Film and Best Editing</strong> at the <strong>Viña del Mar Film Festiva</strong>l, among other international accolades.<br /><br /><br /><strong><a href="https://www.imdb.com/es/title/tt4721400/">Ficha en IMDb</a></strong>.]]></dcterms:description>
    <dcterms:creator><![CDATA[Lorenzo Vigas (director)]]></dcterms:creator>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<em><strong>Desde allá </strong></em><strong>(trailer)</strong>&nbsp;<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/dGxY3tu9mDg?si=UZ_Ebf8JaJESLxg0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><br />Conversation with Lorenzo Vigas on the premiere of&nbsp;<em><strong>Desde allá<br /><br /></strong></em> <iframe width="560" height="315" src="https://www.youtube.com/embed/9cTgOLw6VOQ?si=h6k-AxR9-HjCYnGK" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><br />Reseña de Fernanda Solórzano para <strong><em>Letras Libres<br /></em></strong><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/u2wDU2kPQDg?si=dRWU1_LU7qvnH_Lg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[Feature film<br />
Video]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/177">
    <dcterms:title><![CDATA[<em><strong>While You're Still You</strong></em><strong><strong> (<em>Mentre siguis tu</em> / </strong></strong><em><strong>Mientras</strong><strong> seas tú</strong></em><strong>)</strong>]]></dcterms:title>
    <dcterms:alternative><![CDATA[<em><strong>Mentre siguis tu</strong></em><em><strong><br />El aquí y el ahora</strong></em>]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Film, documentary, Alzheimer&#039;s, dementia, Carme Elías, Catalonia, Claudia Pinto.]]></dcterms:subject>
    <dcterms:description><![CDATA[<p><strong>Winner of the 2024 Goya Award for Best Documentary Feature.</strong></p>
<p>"After 50 years in theater, film, and television, actress Carme Elías is diagnosed with Alzheimer’s. Together with her friend, director Claudia Pinto Emperador, she decides to document her final conscious journey. The characters Carme has played accompany her through this transition, as the boundaries between fiction and reality fade away." (<a href="https://www.sansebastianfestival.com/2023/secciones_y_peliculas/made_in_spain/7/716646/es">Source</a>, translated from Spanish by Archivo Venezuela)</p>
<br /><a href="https://www.imdb.com/title/tt21413408/?ref_=nm_flmg_knf_t_3">IMDb profile.</a>]]></dcterms:description>
    <dcterms:creator><![CDATA[Claudia Pinto]]></dcterms:creator>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<strong>Promotional video for<em> Mientras seas tú</em></strong>. <iframe width="560" height="315" src="https://www.youtube.com/embed/sxMfpoNakvk?si=3uw72Qc6iWTT6Tbv" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><br /><strong><em>Mientras seas tú </em>wins Best Documentary Feature at the 2024 Goya Awards&nbsp;</strong><iframe width="560" height="315" src="https://www.youtube.com/embed/shGRfZvle2M?si=DzVCvWIAItfqixci" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br />
<h1></h1>
<strong>Conversation with Claudia Pinto on <em>Mientras seas tú</em>.</strong> <iframe width="560" height="315" src="https://www.youtube.com/embed/VTjuWhn3Jq4?si=ta1rMMar-lxuV0Hq" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h4><a href="https://archivovenezuela.com/items/show/177">Consulte la versión en español de esta entrada aquí.</a></h4>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary film<br />
Video]]></dcterms:format>
    <dcterms:language><![CDATA[Català<br />
Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/176">
    <dcterms:title><![CDATA[<em><strong>La Soledad</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuela, film, fiction, Venezuelan crisis, migration, humanitarian crisis, La Soledad, Jorge Thielen Armand]]></dcterms:subject>
    <dcterms:description><![CDATA["The inspiration for filming <em>La Soledad</em> comes from the director’s childhood experiences at his grandparents’ family home in Caracas, Venezuela. After spending years abroad, he returned to the country to shoot a film in that house—a work that navigates between documentary and fiction.
<p>The house itself becomes a character: practically abandoned by his family, it is now on the verge of collapse. It has become home to new occupants—Rosina, who once worked as a maid for the owners, and her grandson José. When the <em>"true owners"</em> decide to demolish it, the <em>"usurpers"</em> must find somewhere else to go.</p>
<p>The film explores what we leave behind and what we wish to preserve in our memory, while also shedding light on key issues in contemporary Venezuelan society" (<a href="https://es.wikipedia.org/wiki/La_Soledad_(pel%C3%ADcula)">Source</a>, translated from Spanish by Archivo Venezuela).</p>
<br /><strong><a href="https://www.imdb.com/title/tt5711408/">IMDb profile</a></strong>.]]></dcterms:description>
    <dcterms:creator><![CDATA[Jorge Thielen Armand]]></dcterms:creator>
    <dcterms:publisher><![CDATA[La Faena, Biennale College Cinema, Alfarería Cinematográfica]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Promotional video for <em>La Soledad<br /></em></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Npum4xrI1GE?si=Qw_ULCaMCOkmFpOx" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><br /><br />Interview with Jorge Thielen Armand on <em>La Soledad</em> for <em>La Radio Latina</em>.</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/5jmSrpp1qm4?si=tqLrrQSJ3qVqb5Zb" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><em><br /><br /></em>Q &amp; A with Jorge Thielen Armand following the screening of <em>La Soledad</em></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/oF1WKm6elI0?si=XnLR0ngyTA5IE-v-" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br />
<p><strong><br/>Conversation with Jorge Thielen Armand on the premiere of <em>La Soledad</em>.</strong></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/BvXd1npxde0?si=BDbWVtV534NDHO_D" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br />
<h4>Article by Patricia Valladares, <em>"Subjectivities in Crisis and Social Conflict in Contemporary Venezuelan Cinema: Desde allá (2015), La familia (2017), and La Soledad (2016)"</em>, <i>Revista de Estudios Hispánicos</i><span>, vol. 54 no. 2, 2020, p. 409-429, </span><a href="https://dx.doi.org/10.1353/rvs.2020.0034">https://dx.doi.org/10.1353/rvs.2020.0034</a><span>.</span></h4>]]></dcterms:relation>
    <dcterms:format><![CDATA[Feature film<br />
Video]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/72">
    <dcterms:title><![CDATA[<em><strong>Mamacruz</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Cinema, feature film, Patricia Ortega, female sexuality, religion, Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[<p>The Venezuelan filmmaker Patricia Ortega (<em>Espiga Arcoiris</em> at SEMINCI 2018 for <em>Yo, Imposible</em>) pays tribute to mothers and grandmothers who choose to take control of their lives beyond social norms and religious traditions. It all began five years ago when Ortega stumbled upon a photograph of her mother—nude—tucked away in a drawer. That image confronted her: <em>"She had a past I knew nothing about; I only knew her as a mother, not as a woman."</em></p>
<p>From that reflection emerged this intimate and joyful comedy, in which Cruz (Kiki Mánver), a devout grandmother, has gone decades without experiencing certain pleasures. One day, by chance, she begins to feel sensations she thought had long vanished—sparking a personal awakening that will turn her life upside down and shatter long-held barriers.</p>
<p>(Source: SEMINCI, translated from Spanish by Archivo Venezuela).</p>]]></dcterms:description>
    <dcterms:creator><![CDATA[Patricia Ortega]]></dcterms:creator>
    <dcterms:source><![CDATA[IMDb]]></dcterms:source>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External reference]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/nK9b5rnnFMs?si=yvzHGhG7mciugg8i" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[Feature film]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0007]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
