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                <text>&lt;em&gt;&lt;strong&gt;La inocencia de las sardinas&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Etxenara Mendicoa</text>
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                <text>Venezuelan literature; Venezuelan diaspora; Vargas mudslides (Venezuela : 1999); Naiguatá (Venezuela); Historical fiction</text>
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                <text>Debut novel by Venezuelan journalist Etxenara Mendicoa set in Naiguatá, a coastal town in Vargas state. Through fictional characters, it traces the town's history from colonization through the catastrophic 1999 mudslides. Winner of the Best Historical Novel award (II Premio Arquero de Plata, 2021).</text>
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                <text>Editorial Adarve</text>
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                <text>https://editorial-adarve.com/editorial/libro/la-inocencia-de-las-sardinas/</text>
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                <text>Naiguatá, Vargas, Venezuela</text>
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                <text>&lt;h3&gt;Book Review&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/uQk0JKo3QZY" title="Reseña: La inocencia de las sardinas" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
&lt;h3&gt;&lt;a href="https://hableconmigo.com/2019/12/12/naiguata-en-manos-de-etxenara-mendicoa/"&gt;Reseña crítica: "Naiguatá en manos de Etxenara Mendicoa" (Hable Conmigo, S. de la Nuez)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.venezuelanpress.com/2019/04/19/la-inocencia-de-las-sardinas-una-novela-sobre-naiguata-en-madrid/"&gt;Cobertura de la presentación en Madrid (Venezuelan Press)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.venezuelanpress.com/2021/09/07/etxenara-mendicoa-galardonada-con-el-premio-a-mejor-novela-historica-por-la-inocencia-de-las-sardinas/"&gt;Premio a Mejor Novela Histórica (Venezuelan Press)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://irratia.donostiakultura.eus/es/programas/diaspora-venezolana-habla/la-diaspora-venezolana-habla"&gt;Entrevista radiofónica — La Diáspora Venezolana Habla, prog. 97 (Donostia Kultura Irratia)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://centrosvascosvenezuela.com/jazoera-104/la-inocencia-de-las-sardinas-de-etxenara-mendicoa/"&gt;Cobertura vasco-venezolana (Federación de Centros Vascos de Venezuela)&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>Debut novel by Spanish poet and writer Miriam Reyes (Ourense, 1974), winner of the Premio Nacional de Poesía 2025, published by Editorial Tránsito in October 2025. The work follows an eight-year-old girl who emigrates from Galicia to Caracas in 1983, tracing her adaptation and Venezuela's slow political and social decline. A hybrid of autofiction, diary, and chronicle that addresses migration from the unusual perspective of a foreigner within Venezuela.</text>
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                <text>https://editorialtransito.es/libro/la-edad-infinita/</text>
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                <text>&lt;h3&gt;Book presentation with writer Lara Moreno (video, October 2025)&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://www.infobae.com/espana/2025/12/12/miriam-reyes-premio-nacional-de-poesia-2025-presenta-su-debut-novelistico-sobre-la-migracion-uno-se-queda-para-siempre/"&gt;Interview — Infobae España (December 2025)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://editorialtransito.es/libro/la-edad-infinita/"&gt;Publisher page — Editorial Tránsito&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="http://miriamreyes.com/bio/"&gt;Author website — miriamreyes.com&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>Venezuela; Spain</text>
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                <text>&lt;em&gt;&lt;strong&gt;El brillo de los niños&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Novel by Venezuelan writer Gustavo Valle (Caracas, 1967), resident in Buenos Aires, Argentina, published by Pre-Textos (Valencia) in 2025. A radiograph of Venezuelan society narrated through fractures in reality and altered dimensions, blending dystopian fiction, weird fiction, and road novel elements. Valle is a two-time winner of the Venezuelan Critics' Prize.</text>
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                <text>&lt;h3&gt;&lt;a href="https://rialta.org/gustavo-valle-escritor-mapa-de-la-literatura-venezolana/"&gt;Interview — Rialta: "The map of current Venezuelan literature spans four hemispheres" (2026)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://itinerancias.es/entrevista-a-gustavo-valle/"&gt;Interview — Itinerancias (2023)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://pre-textos.com/autores/gustavo-valle/"&gt;Author page — Editorial Pre-Textos&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://librosdelasteroide.com/libro/el-inventor"&gt;Publisher page — Libros del Asteroide&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>&lt;em&gt;&lt;strong&gt;Diario inútil&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;a href="https://www.eneroeditorial.com/libro.php?id=73"&gt;Enero editorial&lt;/a&gt;</text>
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                <text>This book doesn’t set out to confirm anything the reader hasn’t already suspected—but it does so from an unexpected angle. What is a diary when it exceeds its own form? And what is a novel when it resists being one? It is not an intimate diary, though it contains confessions. Nor is it an essay, though it thinks with precision. It is a gesture of writing—of persistence, of inquiry. Diario inútil is not a book to be read straight through; it is something to be traversed—like navigating a city without a map. It is yet another attempt to capture what happens in the very moment it unfolds. A belated record of uninvited thoughts, fleeting scenes, human bewilderments, and convictions that unravel by the first paragraph. There is no linear journey, only movement. No moral, but echoes. Ricardo Añez Montiel does not write to please or to dazzle. He writes like someone circling around something that cannot be fully named, yet insists on being present. And what if the point is not to arrive, but to linger at the margins? At times, something seems about to begin. As if, on the next page, the text will find a recognizable shape, a clear direction. But it doesn’t. The diary persists. It advances, recedes, stalls, disperses. It seeps into the crevices of the everyday: a domestic argument, a taxi ride, a wait at the hospital, a trip to the cinema. And what if the extraordinary resided precisely in the unnoticed? Nothing happens—and everything happens. The narrative voice offers no answers, nor does it seek them. It observes. And in observing, it proposes another way of inhabiting time. This book resists classification. It shifts registers, tests paths, moves with the freedom—illusory or not—of a personal diary and the intuition that any novel today might be anything. Diario inútil makes no effort to conform—nor does it need to. It moves across the surface of the everyday like someone digging, allowing what is fragmentary, unexpected, and seemingly minor to reveal a deeper resonance. Perhaps that, in the end, is what literature most urgently needs—or at the very least, the most honest thing it can offer. (Publisher's synopsis, translated from the Spanish by Archivo Venezuela)</text>
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&lt;h3&gt;&lt;a href="https://www.eneroeditorial.com/libro.php?id=73"&gt;Publisher's page at Enero Editorial (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.instagram.com/eneroeditorial/p/DH_pfBoP3BZ/"&gt;Book launch and synopsis on Enero Editorial's Instagram (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.casapais.org/suelo-quemado/diario-inutil"&gt;Essay and excerpts in Casapaís (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://mentekupa.com/ricardo-anez/"&gt;Selection of texts and note on Diario inútil (B-sides) in MenteKupa (Spanish)&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>&lt;em&gt;An Unpronounceable Animal&lt;/em&gt; explores the feminine in its most savage and primitive form. Through its stories, it invites us to get lost in unexplored territories where the protagonists transgress the everyday to merge with the monstrous. This anthology incorporates Latin American ancestral archetypes and myths into an imaginary world that resonates with our own search for the mythical. The narrative fabric, where the sinister and the unusual meet, demands multiple readings to reveal its layers of meaning. These are labyrinths where strangeness lurks and the grotesque merges with beauty, giving life to a work that challenges the limits of language while exploring the feminine psyche in its rawest state. (Publisher's synopsis, translated from the Spanish by Archivo Venezuela)</text>
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&lt;h3&gt;&lt;a href="https://www.instagram.com/p/CUo9hQvK3Xw/"&gt;Book presentation on Instagram (Spanish)&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>Caracas, 2010. The revolutionary government exploits the energy crisis to decree power outages that, for hours, black out the entire country. During these periods of time, Venezuela seems to regress in history to a new Stone Age that seeps through every crack. Amidst this atmosphere, two friends, a frustrated writer and a psychiatrist accustomed to getting involved in the lives of his patients, discuss a series of crimes that have occurred in the last year. Pedro Álamo, another character in this polyphonic novel, obsessively searches through word games—those he creates and those dreamed up by his admired Darío Lancini—for the key to understanding the unhinged world he lives in. It's as if he were seeking to transform reality into something different by changing the order of its constituent elements, thus trying to find its exact meaning. Literature, rock, dreams, violence, politics, love, absences, and fears intertwine in the minds of the protagonists. They open labyrinths, create crossroads, and produce vital short circuits. With this story in which everything seems to be teetering on the brink of delirium, where present-day Venezuela is reflected in a mirror pierced by apocalyptic shadows, and its inhabitants face the fate that inexorably awaits them; be it the fulfillment of their obsessions or death. (Publisher's synopsis, translated from the Spanish by Archivo Venezuela)</text>
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&lt;h3&gt;&lt;a href="https://www.worldcat.org/title/venecos/oclc/1399896711"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://latinamericanliteraturetoday.org/es/rese%C3%B1as/muerte-en-el-guaire-raquel-rivas-rojas-2/"&gt;Review by Wilfredo Hernández in Latin American Literature Today (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://suenos-entre-paginas.blogspot.com/2017/03/muerte-en-el-guaire-raquel-rivas-rojas.html"&gt;Review by Barbiibooks in Sueños entre páginas (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.worldcat.org/oclc/953698089"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://elucabista.com/2022/08/09/en-exclusiva-abediciones-reedita-novela-llevame-esta-noche-del-venezolano-miguel-gomes/"&gt;Interview with the author by Grace Lafontant in El Ucabista (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://abediciones.ucab.edu.ve/llevame-esta-noche-de-miguel-gomes-una-historia-de-reencuentros-y-desencuentros/"&gt;Review by Sofía Avendaño Aguirre in abediciones UCAB (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://latinamericanliteraturetoday.org/es/2022/12/michelle-roche-rodriguez-desde-los-cuerpos-hambrientos-tambien-se-puede-aspirar-a-la-libertad/"&gt;Interview with the author by Claudia Cavallin in Latin American Literature Today (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.anagrama-ed.es/view/23134/Roche%20NH%20637%20-%20ABC%20Cultural.pdf"&gt;Review by Juan Ángel Juristo in ABC Cultural (PDF, Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.anagrama-ed.es/view/23063/Roche%20NH%20637%20-%20La%20Vanguardia%20Culturas.pdf"&gt;Review by J.A. Masoliver Ródenas in La Vanguardia Culturas (PDF, Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.cronicasliterarias.es/?p=1255"&gt;Review by J.J. Castillo in Crónicas Literarias (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://prodavinci.com/michelle-roche-malasangre-es-el-texto-mas-intimo-y-mas-personal-que-yo-he-escrito-en-mi-vida-b/"&gt;Interview with the author by Diajanida Hernández in Prodavinci (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://www.worldcat.org/oclc/1138930154"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://leeporgusto.pe/2025/02/28/mariana-libertad-leyendo-a-escritoras-se-puede-contar-una-historia-de-la-literatura-un-poco-mas-honesta/"&gt;Interview by Ana Rodríguez with the author in Lee por Gusto (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://letralia.com/noticias/2020/06/18/el-revuelo-de-los-insectos-de-manuel-gerardo-sanchez/"&gt;Review and publication note in Letralia (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.todoliteratura.es/noticia/52889/actualidad/la-narrativa-lgtb-venezolana-desembarca-en-espana-de-la-mano-de-manuel-gerardo-sanchez.html"&gt;Article: “Venezuelan LGBT narrative lands in Spain with Manuel Gerardo Sánchez” by Briseida Zenobia in TodoLiteratura (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://www.worldcat.org/oclc/1430189586"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>A woman travels to France to seek family roots in a small town, which will allow her to obtain a foreign passport to escape Venezuela; another visits the Museum of Innocence in Istanbul and, upon seeing the objects that recount the lives in a novel by Orhan Pamuk, revisits in her memory the many objects left behind, which populated the journeys of her own life; three Venezuelan siblings, each living in a different country, must reunite in Germany to sow their father's ashes; a "sudaca and weirdo" migrant in Spain attempts to replicate Caracas on Madrid. These stories of migration, by Silda Cordoliani, Raquel Rivas Rojas, Alberto Barrera Tyszka, and Lena Yau, are just a brief sample of the short story collection Escribir Fuera: Cuentos de intemperies y querencias complied and edited by Raquel Rivas Rojas, Katie Brown, and Liliana Lara, which has just been published in 2021, thanks to the enthusiastic work of these three authors and the successful venture of David Alejandro Malavé, head of Kálathos, a Venezuelan publishing house in Spain. (&lt;a href="https://latinamericanliteraturetoday.org/es/rese%C3%B1as/escribir-afuera-cuentos-de-intemperies-y-querencias-raquel-rivas-rojas-katie-brown-and-2/"&gt;Luz Marina Rivas&lt;/a&gt;, translated from the Spanish by Archivo Venezuela).</text>
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&lt;h3&gt;&lt;a href="https://www.worldcat.org/oclc/1225067691"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>An experimental book that, through autofiction and other literary mechanisms, explores the ruin and deterioration of a revolutionary experiment in Venezuela, reactivating another form of utopian desire. Juan Cristóbal Castro writes Arqueología sonámbula (Sleepwalking Archeology), a necessary text, an amphibious animal that traces the history of the last twenty years in Venezuela. Its central axis is the ruin as a material and symbolic record of the country's deterioration and crisis, as well as a repressed dream residue that returns in the protagonist's intimate and familial history. Through a combination of discursive repertoires such as notes, narratives, theoretical quotations, photographs, critical arguments, historical archives, and footnotes, Castro assembles a narrative and conceptual artifact that destabilizes each of these forms and weaves a web of unexpected connections between the materiality of the ruin, theoretical reflections on the remainder and spectrality, the political and social situation in Venezuela, the character's private and emotional life, and a surprising library of Venezuelan history, literature, culture, and art. This book enters and leaves the country through a unique and novel literary strategy that combines historical and theoretical rigor with an emotional and sensitive dimension that reveals other possible readings of the Venezuelan conflict. In this work, the material that wears away achieves the beauty of what hurts and ends. (Publisher's synopsis).</text>
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&lt;h3&gt;&lt;a href="https://www.revistaotrapparte.com/literatura-iberoamericana/arqueologia-sonambula/"&gt;Review by Graciela Montaldo in Revista Otra Parte (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.elnacional.com/papel-literario/juan-cristobal-castro-y-las-ruinas-sonambulas-de-caracas/"&gt;Review by Camila Pulgar Machado in Papel Literario, El Nacional (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://tropicoabsoluto.com/2021/12/26/reflejos-y-reflexiones-de-las-ruinas-en-arqueologia-sonambula-de-juan-cristobal-castro/"&gt;Review by Humberto Medina in Trópico Absoluto (Spanish)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.worldcat.org/oclc/1506293254"&gt;WorldCat bibliographic record&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://fondodelectura.wordpress.com/2017/08/27/una-tarde-con-campanas-de-juan-carlos-mendez-guedez/"&gt;Review by Fondo de Lectura&lt;/a&gt;&lt;/h3&gt;&#13;
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              <elementText elementTextId="13822">
                <text>&lt;em&gt;&lt;strong&gt;En las ruinas&lt;/strong&gt;&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13823">
                <text>Juan Carlos Méndez Guédez</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="13824">
                <text>Castalia Ediciones</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13825">
                <text>&lt;a href="https://www.worldcat.org/oclc/1443162778"&gt;Worldcat&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13826">
                <text>2024</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13827">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13828">
                <text>Printed book</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13829">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13830">
                <text>External resource</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13831">
                <text>The death that results from the reunion of an old group of friends, the final days of a writer shortly before the outbreak of the Spanish Civil War, the boy who sees his cousin and playmate disappear, or the old woman who begins to lose her memory are some of the seven stories that make up this volume of tales, united by a single concept: the innocence with which one can live among ruins and rubble. These narratives, written with a remarkable variety of registers and techniques, explore the desolation, the tenderness, and the sentimentality of beings who survive as best they can, under a gaze from the depths of their interiority, "real" stories set against a mythical backdrop. Thus, like their protagonists, the cities follow one another and interchange: Madrid, Caracas, Barquisimeto, Aix en Provence, or ancient Jerusalem. But always, each accompanied by the ruins and the desolate beauty that remains within them. Agile at times, slow at others, but always with brilliant prose, Juan Carlos Méndez Guédez gives us in this &lt;em&gt;En las ruinas&lt;/em&gt; some vivid, latent, sincere stories. Hard to forget. (&lt;a href="https://www.casadellibro.com/libro-en-las-ruinas/9788497409384/16034645?srsltid=AfmBOoquQm9fGY-0Chw05uMnB6idTcaa3XHJd6j0zD31jV15Bx21ENNQ"&gt;Publisher's synopsis, translated from the Spanish by &lt;em&gt;Archivo Venezuela&lt;/em&gt;&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;img src="https://archivovenezuela.com/files/original/2f47e8ca72921c155926c3a16fcc3362.jpeg" alt="Thumbnail" style="max-width: 200px; height: auto; display: block; margin: 10px 0;" /&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13832">
                <text>Ruins in literature, Memory, short stories, venezuelan literature, innocence</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="13833">
                <text>&lt;h3&gt;Review by Rodrigo Blanco Calderón&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/ZdjEIrtEj5E?si=Hs4jwzbpR81BuRpE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
&lt;h3&gt;&lt;br /&gt;&lt;a href="https://letralia.com/noticias/2024/02/14/juan-carlos-mendez-guedez-premio-tiflos-de-cuento-2024/"&gt;Juan Carlos Méndez Guédez wins the 2024 Tiflos Short Story Prize for *En las ruinas*&lt;/a&gt;&lt;/h3&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="13834">
                <text>Madrid, Spain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="13835">
                <text>OCLC: 1443162778 | ISBN: 9788497409384</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="61">
        <name>childhood</name>
      </tag>
      <tag tagId="914">
        <name>Cities</name>
      </tag>
      <tag tagId="917">
        <name>Civil War</name>
      </tag>
      <tag tagId="915">
        <name>Emotional depth</name>
      </tag>
      <tag tagId="785">
        <name>Friendship</name>
      </tag>
      <tag tagId="707">
        <name>Grief</name>
      </tag>
      <tag tagId="918">
        <name>Innocence</name>
      </tag>
      <tag tagId="25">
        <name>Juan Carlos Méndez Guédez</name>
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      <tag tagId="155">
        <name>memory</name>
      </tag>
      <tag tagId="916">
        <name>Ruins</name>
      </tag>
      <tag tagId="49">
        <name>short stories</name>
      </tag>
      <tag tagId="6">
        <name>Venezuela</name>
      </tag>
      <tag tagId="788">
        <name>Venezuelan narrative</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
