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                <text>Alfredo Rodríguez (script and direction)</text>
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                <text>&lt;em&gt;&lt;strong&gt;Argonautas de la octava isla&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Actresses:&lt;/strong&gt; Cristina Martínez and Carolina Belandia&lt;br /&gt;&lt;strong&gt;Performed at:&lt;/strong&gt; La Escalera de Jacob, Madrid, 2018&lt;/p&gt;&#13;
&lt;p&gt;*"This is a short-format theatrical proposal born from the intention of bringing to light the issues swept under the rug—cases of human rights violations concerning life, property, and family in Venezuela that must be remembered and never forgotten. It is imperative to tell our own stories to remain united in the future and not so distant from our own people. This work is a tribute to the fallen—young individuals who must be remembered, as they embody what we, as a nation, have become, and each of them multiplies within us.&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Argonauts of the Eighth Island&lt;/em&gt; is grounded in many real stories. Sincere, profound, and direct, it aims for the audience to experience and emotionally connect with the circumstances of its characters—circumstances that are, at the same time, those of an entire nation in crisis, a nation that only recognizes itself in doubt and uncertainty. It is the voice of those who have left, both to the other side of the world and to the other side of life. Its sole intention is to magnify the collateral and irreversible damages of personal and social decisions. Without seeking culprits, without searching for causes: 'Do you realize that we were forced to bring forward our farewells in every family? Like in a war! ... Are we in a war?'&lt;/p&gt;&#13;
&lt;p&gt;Individual and, at the same time, collective decisions have shaped an undeniable reality that must be examined—a new national map that has become either the solution or the end for many families." (&lt;strong&gt;Alfredo Rodríguez Guillén&lt;/strong&gt;, translated from Spanish by Archivo Venezuela)&lt;/p&gt;</text>
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                <text>Theater, performing arts, theatre, microtheatre, playwriting, Venezuela, emigration, state violence, Alfredo Rodríguez</text>
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                <text>&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/HIx5nLkrAqs?si=OcvhpAHFDwqsoHXt" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt; &lt;strong&gt;Vídeo promocional de la representación de Argonautas de la octava isla.&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;a href="https://pucheronews.com/2018/01/06/teatro-sobre-y-desde-la-diaspora/"&gt;Reseña de Argonautas de la octava isla&lt;/a&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artículo académico sobre teatro venezolano diaspórico, incluye análisis de&amp;nbsp;&lt;em&gt;Argonautas de la octava isla.&lt;/em&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;Valladares-Ruiz, Patricia. "Experiencia migratoria y trauma social en el teatro venezolano contemporáneo."&amp;nbsp;&lt;i&gt;Latin American Theatre Review&lt;/i&gt;, vol. 56 no. 2, 2023, p. 67-82.&amp;nbsp;DOI: &lt;a href="https://dx.doi.org/10.1353/ltr.2023.a919120"&gt;dx.doi.org/10.1353/ltr.2023.a919120&lt;/a&gt;.</text>
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                <text>The Immigrant Ballet of Buenos Aires (&lt;em&gt;&lt;strong&gt;El Ballet Inmigrante de Buenos Aires&lt;/strong&gt;&lt;/em&gt;)</text>
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