<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1198">
    <dcterms:title><![CDATA[<em><strong>La inocencia de las sardinas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan literature; Venezuelan diaspora; Vargas mudslides (Venezuela : 1999); Naiguatá (Venezuela); Historical fiction]]></dcterms:subject>
    <dcterms:description><![CDATA[Debut novel by Venezuelan journalist Etxenara Mendicoa set in Naiguatá, a coastal town in Vargas state. Through fictional characters, it traces the town&#039;s history from colonization through the catastrophic 1999 mudslides. Winner of the Best Historical Novel award (II Premio Arquero de Plata, 2021).]]></dcterms:description>
    <dcterms:creator><![CDATA[Etxenara Mendicoa]]></dcterms:creator>
    <dcterms:source><![CDATA[https://editorial-adarve.com/editorial/libro/la-inocencia-de-las-sardinas/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Editorial Adarve]]></dcterms:publisher>
    <dcterms:date><![CDATA[2019]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Book Review</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/uQk0JKo3QZY" title="Reseña: La inocencia de las sardinas" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://hableconmigo.com/2019/12/12/naiguata-en-manos-de-etxenara-mendicoa/">Reseña crítica: "Naiguatá en manos de Etxenara Mendicoa" (Hable Conmigo, S. de la Nuez)</a></h3>
<h3><a href="https://www.venezuelanpress.com/2019/04/19/la-inocencia-de-las-sardinas-una-novela-sobre-naiguata-en-madrid/">Cobertura de la presentación en Madrid (Venezuelan Press)</a></h3>
<h3><a href="https://www.venezuelanpress.com/2021/09/07/etxenara-mendicoa-galardonada-con-el-premio-a-mejor-novela-historica-por-la-inocencia-de-las-sardinas/">Premio a Mejor Novela Histórica (Venezuelan Press)</a></h3>
<h3><a href="https://irratia.donostiakultura.eus/es/programas/diaspora-venezolana-habla/la-diaspora-venezolana-habla">Entrevista radiofónica — La Diáspora Venezolana Habla, prog. 97 (Donostia Kultura Irratia)</a></h3>
<h3><a href="https://centrosvascosvenezuela.com/jazoera-104/la-inocencia-de-las-sardinas-de-etxenara-mendicoa/">Cobertura vasco-venezolana (Federación de Centros Vascos de Venezuela)</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Book]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[978-84-17548-70-4; 978-84-17548-71-1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Naiguatá, Vargas, Venezuela]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1197">
    <dcterms:title><![CDATA[<em><strong>La edad infinita</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Migration--Venezuela; Identity (Psychology); Coming-of-age fiction; Spanish writers--Venezuela; Memory; Venezuela--Social conditions--20th century]]></dcterms:subject>
    <dcterms:description><![CDATA[Debut novel by Spanish poet and writer Miriam Reyes (Ourense, 1974), winner of the Premio Nacional de Poesía 2025, published by Editorial Tránsito in October 2025. The work follows an eight-year-old girl who emigrates from Galicia to Caracas in 1983, tracing her adaptation and Venezuela&#039;s slow political and social decline. A hybrid of autofiction, diary, and chronicle that addresses migration from the unusual perspective of a foreigner within Venezuela.]]></dcterms:description>
    <dcterms:creator><![CDATA[Miriam Reyes]]></dcterms:creator>
    <dcterms:source><![CDATA[https://editorialtransito.es/libro/la-edad-infinita/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Editorial Tránsito]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Book presentation with writer Lara Moreno (video, October 2025)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/HEqLVNEAbeY" title="Miriam Reyes — La edad infinita, presentation with Lara Moreno" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.infobae.com/espana/2025/12/12/miriam-reyes-premio-nacional-de-poesia-2025-presenta-su-debut-novelistico-sobre-la-migracion-uno-se-queda-para-siempre/">Interview — Infobae España (December 2025)</a></h3>
<h3><a href="https://editorialtransito.es/libro/la-edad-infinita/">Publisher page — Editorial Tránsito</a></h3>
<h3><a href="http://miriamreyes.com/bio/">Author website — miriamreyes.com</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Novel]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[LIT0049]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Spain]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1196">
    <dcterms:title><![CDATA[<em><strong>Las libretas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora--Mexico; Writers&#039; notebooks; Creative writing; Venezuelan literature; Essay; Memory; Exile writing]]></dcterms:subject>
    <dcterms:description><![CDATA[Hybrid book by Venezuelan writer Fedosy Santaella (Puerto Cabello, 1970), resident in Mexico City since 2017, published by AB ediciones in 2023. Combining diary, essay, and chronicle, the work reflects on the function of notebooks in the writer&#039;s life and in everyday experience, exploring memory, writing as practice, and the condition of displacement.]]></dcterms:description>
    <dcterms:creator><![CDATA[Fedosy Santaella]]></dcterms:creator>
    <dcterms:source><![CDATA[https://ficcionbreve.org/autor/fedosy-santaella/]]></dcterms:source>
    <dcterms:publisher><![CDATA[AB ediciones]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3><a href="https://www.eluniversal.com/entretenimiento/155945/fedosy-santaella-dentro-y-fuera-del-pais-hay-muchos-poetas-jovenes-haciendo-maravillas">Interview — El Universal Venezuela (2023)</a></h3>
<h3><a href="https://www.latercera.com/culto/2024/08/02/la-resistencia-de-la-literatura-venezolana-los-escritores-que-han-abordado-a-una-nacion-en-crisis/">Profile — La Tercera: "The resilience of Venezuelan literature" (2024)</a></h3>
<h3><a href="http://fedosysantaellabio.blogspot.com/">Author website — fedosysantaellabio.blogspot.com</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Essay; Diary]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[LIT0048]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Mexico]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1195">
    <dcterms:title><![CDATA[<em><strong>It Would Be Night in Caracas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Political violence--Venezuela; Survival; Venezuelan cinema; Women--Venezuela; Social collapse--Venezuela; Film adaptations]]></dcterms:subject>
    <dcterms:description><![CDATA[Feature film directed by Venezuelan filmmakers Mariana Rondón and Marité Ugás, adapted from Karina Sainz Borgo&#039;s novel La hija de la española (2019). Set in Caracas during the 2017 protests, the film follows Adelaida (Natalia Reyes), who returns home after her mother&#039;s death to find her apartment seized by a violent militia. World premiere at the 82nd Venice Film Festival (September 2025); subsequently released on Netflix. Vetoed by the Venezuelan government for domestic distribution.]]></dcterms:description>
    <dcterms:creator><![CDATA[Mariana Rondón; Marité Ugás]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt37656135/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Redrum; Netflix]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:contributor><![CDATA[Karina Sainz Borgo (novela fuente); Edgar Ramírez (productor); Natalia Reyes (actriz); Camilo Froideval (música); Juan Pablo Ramírez (fotografía)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Interview with directors at Venice 2025 (video, Fred Film Radio)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Lt78Ucarm-k" title="Mariana Rondón and Marité Ugás — It Would Be Night in Caracas, Venice 2025" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.zendalibros.com/mariana-rondon-y-marite-ugas-toda-historia-intima-es-politica/">Interview — Zenda: "Every intimate story is political" (September 2025)</a></h3>
<h3><a href="https://www.otroscines.com/post/critica-de-aun-es-de-noche-en-caracas-pelicula-de-mariana-rondon-y-marite-ugas">Review — Otros Cines (2026)</a></h3>
<h3><a href="https://www.imdb.com/title/tt37656135/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Film]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0016]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Mexico]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1194">
    <dcterms:title><![CDATA[<em><strong>El brillo de los niños</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan fiction; Dystopian fiction; Authoritarianism--Venezuela; Venezuelan diaspora--Argentina; Weird fiction; Social collapse--Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[Novel by Venezuelan writer Gustavo Valle (Caracas, 1967), resident in Buenos Aires, Argentina, published by Pre-Textos (Valencia) in 2025. A radiograph of Venezuelan society narrated through fractures in reality and altered dimensions, blending dystopian fiction, weird fiction, and road novel elements. Valle is a two-time winner of the Venezuelan Critics&#039; Prize.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gustavo Valle]]></dcterms:creator>
    <dcterms:source><![CDATA[https://pre-textos.com/autores/gustavo-valle/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Pre-Textos]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3><a href="https://rialta.org/gustavo-valle-escritor-mapa-de-la-literatura-venezolana/">Interview — Rialta: "The map of current Venezuelan literature spans four hemispheres" (2026)</a></h3>
<h3><a href="https://itinerancias.es/entrevista-a-gustavo-valle/">Interview — Itinerancias (2023)</a></h3>
<h3><a href="https://pre-textos.com/autores/gustavo-valle/">Author page — Editorial Pre-Textos</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Novel]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[LIT0047]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Argentina]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1193">
    <dcterms:title><![CDATA[<em><strong>Roads to Nowhere</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Return migration; Animated documentary; Forced migration--Venezuela; Human rights--Venezuela; Documentary film--Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[Animated documentary written and directed by Venezuelan journalist and writer Héctor Torres, produced by La Vida de Nos (Caracas). The film reconstructs six testimonial stories of Venezuelan migrants who attempted to leave the country and either perished or were forced to return, including cases of death in the Darién Gap, detention at the border, and disappearance at sea. Premiered June 11, 2023 at the Trasnocho Cultural in Caracas.]]></dcterms:description>
    <dcterms:creator><![CDATA[Héctor Torres]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt28181777/]]></dcterms:source>
    <dcterms:publisher><![CDATA[La Vida de Nos; Films Austères]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Albor Rodríguez (guion); Octavio Villegas (dirección de arte); Rossana Hernández (dirección actoral)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Trailer</h3>
<iframe width="560" height="315" src="https://player.vimeo.com/video/847700127" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3>Interview with director Héctor Torres (video, July 2023)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/YDII_yJvu7g" title="Héctor Torres — Caminos a ninguna parte" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://hispanopost.com/caminos-a-ninguna-parte-nuevo-documental-de-la-vida-de-nos-que-revela-el-rostro-humano-de-la-crisis-migratoria/">Review — HispanoPost (June 2023)</a></h3>
<h3><a href="https://www.imdb.com/title/tt28181777/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Animated documentary]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0015]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Colombia; Ecuador; United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1192">
    <dcterms:title><![CDATA[<em><strong>The Inventor</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Historical fiction--France; Solar energy--History; Venezuelan diaspora writers; Franco-Venezuelan literature; Scientists--19th century--France]]></dcterms:subject>
    <dcterms:description><![CDATA[Novel by Franco-Venezuelan writer Miguel Bonnefoy (Paris, 1986), son of a Venezuelan mother and Chilean father, published in Spanish translation by Libros del Asteroide in October 2023 (original French: Rivages, 2022). The book recounts the life of Augustin Mouchot, the forgotten 19th-century French mathematician who invented solar energy machines. Winner of the Prix Patrimoines; finalist for the Prix Femina.]]></dcterms:description>
    <dcterms:creator><![CDATA[Miguel Bonnefoy]]></dcterms:creator>
    <dcterms:source><![CDATA[https://librosdelasteroide.com/libro/el-inventor]]></dcterms:source>
    <dcterms:publisher><![CDATA[Libros del Asteroide]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Regina López Muñoz (traductora)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Interview — RFI Español: "Bonnefoy brings the father of solar energy out of the shadows" (video, 2022)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/UuxFJ9OERP0" title="Miguel Bonnefoy — El inventor (RFI Español)" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://librosdelasteroide.com/libro/el-inventor">Publisher page — Libros del Asteroide</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Novel]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[LIT0046]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[France; Algeria]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1191">
    <dcterms:title><![CDATA[<em><strong>KICK</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Electronic music--Venezuela; Experimental music; LGBTQ+ artists--Venezuela; Venezuelan diaspora; Gender identity; Avant-garde music]]></dcterms:subject>
    <dcterms:description><![CDATA[Compilation album by Venezuelan electronic artist Arca (Alejandra Ghersi Rodríguez, Caracas, 1989), resident in Barcelona, Spain, released December 9, 2022 via XL Recordings. The 21-track fan-voted selection synthesizes the five-volume KICK cycle (2020–2021), which established Arca as the first Venezuelan and Latin American artist nominated for a Grammy Award in Best Dance/Electronic Album.]]></dcterms:description>
    <dcterms:creator><![CDATA[Arca]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/artist/5EvFsr3kj42KNv97ZEnqij]]></dcterms:source>
    <dcterms:publisher><![CDATA[XL Recordings]]></dcterms:publisher>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alejandra Ghersi Rodríguez]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>"Nonbinary"</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/OmqcRi2JiQ4?si=QmhdFTYhOvVPGoNa" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.elnacional.com/entretenimiento/propulsiva-lasciva-diferente-arca-la-artista-del-presente-y-del-futuro/">Profile — El Nacional: "The artist of the present and future" (2024)</a></h3>
<h3><a href="https://es.wikipedia.org/wiki/Arca_(cantante)">Wikipedia ES — Arca</a></h3>
<h3><a href="https://open.spotify.com/artist/5EvFsr3kj42KNv97ZEnqij">Official profile — Spotify / XL Recordings</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Compilation album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0044]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; Spain]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1188">
    <dcterms:title><![CDATA[<strong><em>Desafiando al Coloso: Tres Actos</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Performance art--Latin America; Political art; Authoritarianism--Latin America; Feminist art; Venezuelan diaspora; Body art; Public monuments--Criticism]]></dcterms:subject>
    <dcterms:description><![CDATA[Performance and installation by Venezuelan multidisciplinary artist Deborah Castillo (Caracas, 1971), presented at the Museo Universitario del Chopo (UNAM), Mexico City, June 15–26, 2022. The work consists of three consecutive actions in which the artist attacks wet clay busts of authoritarian Latin American figures, interrogating the iconography of the caudillo and the patriarchal monument. Part of an international series previously staged in the United States and Brazil.]]></dcterms:description>
    <dcterms:creator><![CDATA[Deborah Castillo]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.chopo.unam.mx/01ESPECIAL/artesvivas/desafiando-al-coloso.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Museo Universitario del Chopo — UNAM]]></dcterms:publisher>
    <dcterms:date><![CDATA[2022]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Talk "Demolishing the Past" (video, Museo del Chopo, 2022)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/eg6AOUoQ3fo" title="Desafiando al Coloso — Conversatorio Museo del Chopo 2022" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://artishockrevista.com/2022/07/29/deborah-castillo-desafiando-al-coloso/">Critical coverage — Artishock Revista (July 2022)</a></h3>
<h3><a href="http://www.deborahcastillo.com/desafiando-al-coloso-tres-actos-.html">Official entry — deborahcastillo.com</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Performance; Installation]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[AV0005]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[México]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1187">
    <dcterms:title><![CDATA[<em><strong>Hotel Caracas</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Popular music--Venezuela; Identity (Psychology); Return migration; Venezuelan identity; Latin pop music]]></dcterms:subject>
    <dcterms:description><![CDATA[Third studio album by Venezuelan-born Miami-based duo Mau y Ricky, released May 31, 2024 under their independent label Why Club Records. The 15-track project was conceived and partially recorded during the brothers&#039; return to Venezuela after 15 years of absence, with all music videos filmed in Caracas employing over 200 local creatives. Received three Latin Grammy nominations and named one of Billboard&#039;s 24 best albums of the year.]]></dcterms:description>
    <dcterms:creator><![CDATA[Mau y Ricky]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/album/5ZH7IdEga8gne83NYz8nsS]]></dcterms:source>
    <dcterms:publisher><![CDATA[Why Club Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2024]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mauricio Reglero Rodríguez; Ricardo Reglero Rodríguez; Malay; JonTheProducer; Arcángel; Guaynaa; Ilegales]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Documentary "Detrás de la Puerta" — Episode 3 (video, official YouTube)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/BoUgKx8iQuY" title="Mau y Ricky — Detrás de la Puerta EP 3" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.rollingstone.com/music/music-latin/mau-y-ricky-hotel-caracas-interview-1235030049/">Interview — Rolling Stone (May 2024)</a></h3>
<h3><a href="https://www.billboard.com/music/latin/mau-y-ricky-interview-venezuela-hotel-caracas-album-1235617811/">Interview — Billboard (February 2024)</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0043]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1186">
    <dcterms:title><![CDATA[<strong><em>¿Quién trae las cornetas?</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Popular music--Venezuela; Reggae--Venezuela; Caribbean music; Venezuelan identity; Latin alternative music]]></dcterms:subject>
    <dcterms:description><![CDATA[Fifth studio album by Caracas-formed band Rawayana, released September 21, 2023 via Brocoli Records. Comprising 22 tracks, the album marks a tonal shift from the politically charged predecessor Cuando los acéfalos predominan (2021) toward collective joy and Caribbean identity. Features collaborations with Danny Ocean, Elena Rose, and Monsieur Periné. Won the 2025 Grammy Award for Best Latin Rock or Alternative Album.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana]]></dcterms:creator>
    <dcterms:source><![CDATA[https://open.spotify.com/album/3UedVnaIbI3SRuMLClWiJ3]]></dcterms:source>
    <dcterms:publisher><![CDATA[Brocoli Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alberto Montenegro; Antonio Casas; Andrés Story; Alejandro Abeijón; Danny Ocean; Elena Rose; Monsieur Periné; Bebo Dumont]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Tiny Desk Concert (video, NPR El Tiny, 2023)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/CbotsXwCbNE" title="Rawayana: Tiny Desk Concert — NPR El Tiny 2023" frameborder="0" allowfullscreen="allowfullscreen"></iframe>
<h3><a href="https://www.npr.org/2023/09/19/1199767249/rawayana-tiny-desk-concert">Tiny Desk Concert — NPR (2023)</a></h3>
<h3><a href="https://open.spotify.com/album/3UedVnaIbI3SRuMLClWiJ3">Album on Spotify — Brocoli Records</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Album]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS0042]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1185">
    <dcterms:title><![CDATA[<em><strong>Simón</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan diaspora; Political exile--Venezuela; Student protest movements--Venezuela; Asylum seekers; Political violence--Venezuela; Venezuelan cinema]]></dcterms:subject>
    <dcterms:description><![CDATA[Feature film written and directed by Venezuelan filmmaker Diego Vicentini, shot in Miami in 2021. The film follows Simón, a student leader tortured during Venezuela&#039;s 2017 protests, who must decide between seeking asylum in the United States or returning to fight the regime. Winner of six awards at the 2023 Venezuelan Film Festival, nominated for the Goya Award for Best Ibero-American Film.]]></dcterms:description>
    <dcterms:creator><![CDATA[Diego Vicentini]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.imdb.com/title/tt13580840/]]></dcterms:source>
    <dcterms:publisher><![CDATA[Black Hole Enterprises]]></dcterms:publisher>
    <dcterms:date><![CDATA[2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Christian McGaffney; Marcel Rasquin; Horacio Martinez; Freddy Sheinfeld]]></dcterms:contributor>
    <dcterms:rights><![CDATA[External resource. All rights reserved.]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3>Interview with Diego Vicentini<span style="font-size: 14px;"></span></h3>
<iframe width="560" height="315" style="font-size: 14px;" src="https://www.youtube.com/embed/x89rOa23ee8?si=gLeA4TAhWUXsaJH-" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<h3><br />Official Trailer<span style="font-size: 14px;"></span><iframe width="560" height="315" style="font-size: 14px;" src="https://www.youtube.com/embed/-6AFAeu33E4?si=XG_GRKSUaNfacAn8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe></h3>
<h3><a href="https://cinemacy.com/interview-filmmaker-diego-vicentini/">Interview — Cinemacy (2024)</a></h3>
<h3><a href="https://www.latinxproject.nyu.edu/intervenxions/simon-movie-diego-vicentini-interview">Interview — NYU Latinx Project (2024)</a></h3>
<h3><a href="https://seventhartstudio.com/simon-2023-resena/">Review — Seventh Art Studio (2024)</a></h3>
<h3><a href="https://www.imdb.com/title/tt13580840/">IMDb listing</a></h3>]]></dcterms:relation>
    <dcterms:format><![CDATA[Film]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish; English]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0014]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Venezuela; United States]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1184">
    <dcterms:title><![CDATA[<em><strong>Sounds and Voices of the Venezuelan Diaspora</strong></em>]]></dcterms:title>
    <dcterms:description><![CDATA[<em><strong>Sounds and Voices of the Venezuelan Diaspora</strong></em> is a documentary directed by Luisa de la Ville and Pablo Gil and hosted by Tony Succar. The film explores the stories, challenges, and artistic journeys of Venezuelan musicians living across the global diaspora. Through intimate interviews and musical performances, the documentary highlights one of the most significant cultural migrations of the twenty-first century. Featuring nearly 300 Venezuelan musicians and singers from the United States, Latin America, Europe, Asia, and other regions, the film offers a deeply human portrait of identity, resilience, and the enduring relationship between music and homeland. More than a documentary about migration, the project celebrates the creativity and cultural impact of Venezuelan artists worldwide.]]></dcterms:description>
    <dcterms:creator><![CDATA[Luisa de la Ville (directora)<br />
Pablo Gil (director)<br />
Tony Succar (presentador)]]></dcterms:creator>
    <dcterms:source><![CDATA[YouTube]]></dcterms:source>
    <dcterms:publisher><![CDATA[YouTube]]></dcterms:publisher>
    <dcterms:date><![CDATA[March 10, 2026]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/q4F43nWLf7s?si=uP9Rmv4e1iAar_19" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[Documentary]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish and English with English subtitles]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image; video]]></dcterms:type>
    <dcterms:identifier><![CDATA[FILM0013]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1182">
    <dcterms:title><![CDATA[<em><strong>Romántica</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Stand-up comedy; Venezuelans—United States; Immigrants;<br />
Hispanic Americans; Cultural identity; Poly Díaz]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong><em>Romántica</em> </strong>is a stand-up special by Venezuelan comedian <strong>Poly Díaz</strong>, in which she addresses themes such as relationships, desire, emotional expectations, and the contradictions of contemporary life through sharp, direct humor. Framed by the experience of migration and Latin cultural identity, the show explores romantic dynamics, adulthood, and self-image, blending everyday observation with a confessional style.]]></dcterms:description>
    <dcterms:creator><![CDATA[Poly Díaz]]></dcterms:creator>
    <dcterms:publisher><![CDATA[YouTube]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025-12-24]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3><strong><em>Romántica</em>, Comedy Special&nbsp;</strong></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/c-9NSTB0OxI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br />
<h3><a href="https://www.polydiaz.com/"> <strong>Official Website (bio + tour + links)</strong> </a></h3>
<h3><br /><a href="https://nycomedyfestival.com/lineup/poly-diaz-and-friends-comedia-en-espanol/"> <strong>Bio / Context (New York Comedy Festival)</strong> </a></h3>
<h3><strong><br />Interview on <em>99%</em>&nbsp;<br /></strong></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/fNu-rMB7iMM?si=IcKhLNfnsrBG4s78" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br />
<h3>Women in Comedy: Interview with Poly Díaz and Ale Otero for <em>Fuera de Forma</em></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/cFNkw9YSEE4?si=ixiH9Na14zUp5lmv" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[Video/ Live event recording]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving image]]></dcterms:type>
    <dcterms:identifier><![CDATA[COM_0002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1181">
    <dcterms:title><![CDATA[<strong><em>Solito</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Migration; Latino identity; Bilingual life; Cultural clash; Immigrant experiences; Comedy; Venezuela; Angelo Colina]]></dcterms:subject>
    <dcterms:description><![CDATA[<strong>Angelo Colina</strong> is a Venezuelan comedian who emigrated from Colombia to the United States in 2018. He began his stand-up career at <em>Wiseguys Comedy Club</em> (Salt Lake City, Utah) and currently resides in New York, where he co-founded <strong><em>Español Please</em></strong>—part of the 2021 New York Comedy Festival—and <strong><em>Gente Funny</em></strong>, the first fully Spanish-language showcase in Washington, D.C.]]></dcterms:description>
    <dcterms:creator><![CDATA[Angelo Colina]]></dcterms:creator>
    <dcterms:publisher><![CDATA[YouTube]]></dcterms:publisher>
    <dcterms:date><![CDATA[2025-11-25]]></dcterms:date>
    <dcterms:rights><![CDATA[External resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<h3><strong>"Solito", comedy special</strong></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/hkf2ZGmfUHk?si=qj8E0_XenjH3WS-Y" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br /><br />
<h3><strong>Three Nights in Puerto Rico (comedyspecial)</strong></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/Uig05fVRqKc?si=SzlR2silMyQsqXCj" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br />
<h3><br /><a href="https://www.npr.org/2023/05/25/1177147618/gente-funny-spanish-comedy-standup-angelo-colina"><strong></strong></a><span style="font-size: 14px;">Ñetlix Is A Joke Festival (in Spanish)</span></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/rzWiky42vAU?si=3XnTwx9DbL_K8dHS" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>
<div id="top-row">
<div id="owner"></div>
</div>
<h3><a href="https://www.npr.org/2023/05/25/1177147618/gente-funny-spanish-comedy-standup-angelo-colina"><strong>Interview (NPR)</strong></a></h3>
<h3><strong><br />Interview on <em>Punto Aparte</em>, a Puerto Rican podcast<br /></strong></h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/z6PtX1JV0WU?si=zDjTM-6gD-Zx1ZOA" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> <br />&nbsp;<br /><strong><strong><a href="https://saborcoco.com/destacadas/2025/2/19/angelo-colina-3t4kn">Interview: “Angelo Colina Draws Inspiration from Everyday Life” (in Spanish)</a><br /><br /></strong></strong>
<div id="title">
<h3>"From Sidekick to Protagonist: The Authenticity of Angelo Colina in Comedy" (in Spanish)</h3>
<iframe width="560" height="315" src="https://www.youtube.com/embed/oktWGJy6N3U?si=6eAeA3tz22Th-VKf" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe></div>
<div id="top-row">
<div id="owner"></div>
</div>
<h3>Official Social Media – Angelo Colina</h3>
<p><a href="www.youtube.com/@angelocolinastandup">Youtube</a>&nbsp;<br /><a href="https://www.instagram.com/angelocolina/">Instagram</a> <br /><a href="https://twitter.com/angelocolina">Twitter</a><br /><a href="https://www.facebook.com/angeloalfonsocolina/">Facebook</a>&nbsp; <br /><a href="https://www.tiktok.com/@angelocolina">TikTok</a></p>]]></dcterms:relation>
    <dcterms:format><![CDATA[Video/ Live event recording]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Moving Image]]></dcterms:type>
    <dcterms:identifier><![CDATA[COM_0001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1180">
    <dcterms:title><![CDATA[<em><strong>Si te pica es porque eres tú</strong></em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[&quot;Feliz año&quot;]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Popular music; Humor; Social criticism; Resilience; Virality; Rawayana; Venezuela]]></dcterms:subject>
    <dcterms:description><![CDATA[The song that Rawayana released to welcome 2026 was conceived as a message of hope and balance in the face of uncertainty. With a reflective tone and a sense of collective sensitivity, the track invites listeners to stay grounded, take care of one another, and remain steady in turbulent times. Following the events of January 3, 2026, that message took on an unexpected resonance and the song went viral, becoming an emotional and symbolic point of connection for many people both within and beyond Venezuela.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:publisher><![CDATA[Brócoli Records]]></dcterms:publisher>
    <dcterms:date><![CDATA[2026-01-01]]></dcterms:date>
    <dcterms:relation><![CDATA[<a href="https://open.spotify.com/track/4LIpeIN0AxFMRhnm5tR0HJ?si=fdacabc896dd4ecd"><strong>Spotify (streaming link)</strong></a><br /><br /><iframe width="560" height="315" src="https://www.youtube.com/embed/3jBsx8_gDnU?si=xxOOmoKiEhVV1nb5" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS041]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1179">
    <dcterms:title><![CDATA[<em><strong>Tal vez no se hunda el barco</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[society, hope, metaphor, patience, resilience]]></dcterms:subject>
    <dcterms:description><![CDATA[A hopeful metaphor about the search for solace amid division and disillusionment. With patience, one seeks something deep—“the oldest songs”—as a guiding force. If we manage to maintain our balance, perhaps “the ship won’t sink.”]]></dcterms:description>
    <dcterms:creator><![CDATA[Rodrigo Solo; Viniloversus; Linda Briceño]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2015-06-27]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/s-fF2SpYGxY?si=Gi8g-3PXnAJsDtXI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS032]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1178">
    <dcterms:title><![CDATA[<em><strong>Me fui</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[musical collaboration, nostalgia, transformation, hope, Latin music]]></dcterms:subject>
    <dcterms:description><![CDATA[“Me Fui” is a collaboration that brings together more than a dozen Latin American artists and conveys a deep sense of nostalgia and transformation. The song reflects on the act of leaving, the mourning of change, and the decision to move forward with hope.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reymar Perdomo, featuring Andrés Cepeda, Santiago Cruz, Ventino, Fonseca, Sebastian Yatra, Fanny Lu, Silvestre Dangond, Sanluis, Debi Nova, Victor Muñoz, Raquel Sofía, Juan Fernando Velasco, Leslie Shaw, Astrid Marrufo, Cáceres, and Javier Ramirez]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2019-08-29]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<p class="content_type_title"><strong><a href="https://www.radionacional.co/cultura/me-fui-la-cancion-que-narra-la-migracion-venezolana">‘Me fui’: la canción que narra la migración venezolana</a></strong><br /><br /><br /></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/E8XKPmMz21Q?si=SbGDKI_pTK6fv173" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe><br /><br /><strong>Carlos Vives, Andrés Cepeda, Santiago Cruz, and Reymar Perdomo Sing "Me fui"</strong> <a spellcheck="false" href="https://www.youtube.com/hashtag/unchallengeporvenezuela" dir="auto">#UnChallengePorVenezuela</a><span dir="auto"> </span><a spellcheck="false" href="https://www.youtube.com/hashtag/somospanascolombia" dir="auto">#SomosPanasColombia</a> <iframe width="560" height="315" src="https://www.youtube.com/embed/XuA5jjUPymc?si=2R4R8Eehn9N8_sfw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS033]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1177">
    <dcterms:title><![CDATA[<em><strong>Veneka</strong></em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan identity, female empowerment, popular culture, regional pride, diversity]]></dcterms:subject>
    <dcterms:description><![CDATA[“Veneka” reclaims a historically derogatory term and transforms it into a tribute to Venezuelan women: joyful, self-assured, and multifaceted. The song blends urban rhythms with culinary, sporting, local, and diasporic references to celebrate their talent, independence, and beauty as expressions of identity and cultural resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rawayana and Akapellah]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[2024-10-21]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<iframe width="560" height="315" src="https://www.youtube.com/embed/mjJ8nM_YoYs?si=HSWl5Sxsy_NCQezt" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS034]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://archivovenezuela.com/en/items/show/1176">
    <dcterms:title><![CDATA[<strong><em>S.O.S Venezuela</em></strong>]]></dcterms:title>
    <dcterms:subject><![CDATA[Venezuelan crisis, urgent plea, solidarity, protest music, social reality]]></dcterms:subject>
    <dcterms:description><![CDATA[“S.O.S Venezuela” is an urgent, emotional plea for attention to Venezuela&#039;s crisis. Neblinna and Kristian Kamilo blend expressive voices and sensitivity to deliver a desperate call for help from the heart of the nation&#039;s reality.]]></dcterms:description>
    <dcterms:creator><![CDATA[Neblinna and Kristian Kamilo]]></dcterms:creator>
    <dcterms:source><![CDATA[Spotify]]></dcterms:source>
    <dcterms:date><![CDATA[12/2/2017]]></dcterms:date>
    <dcterms:rights><![CDATA[External Resource]]></dcterms:rights>
    <dcterms:relation><![CDATA[<br /><iframe width="560" height="315" src="https://www.youtube.com/embed/NINJaFSfyzg?si=-ajxscoq6DGxC_fW" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe>]]></dcterms:relation>
    <dcterms:format><![CDATA[audio/mp3]]></dcterms:format>
    <dcterms:language><![CDATA[Spanish]]></dcterms:language>
    <dcterms:type><![CDATA[Sound]]></dcterms:type>
    <dcterms:identifier><![CDATA[MUS035]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
