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                <text>&lt;em&gt;&lt;strong&gt;La inocencia de las sardinas&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Etxenara Mendicoa</text>
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                <text>Venezuelan literature; Venezuelan diaspora; Vargas mudslides (Venezuela : 1999); Naiguatá (Venezuela); Historical fiction</text>
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                <text>Debut novel by Venezuelan journalist Etxenara Mendicoa set in Naiguatá, a coastal town in Vargas state. Through fictional characters, it traces the town's history from colonization through the catastrophic 1999 mudslides. Winner of the Best Historical Novel award (II Premio Arquero de Plata, 2021).</text>
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                <text>https://editorial-adarve.com/editorial/libro/la-inocencia-de-las-sardinas/</text>
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                <text>&lt;h3&gt;Book Review&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/uQk0JKo3QZY" title="Reseña: La inocencia de las sardinas" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
&lt;h3&gt;&lt;a href="https://hableconmigo.com/2019/12/12/naiguata-en-manos-de-etxenara-mendicoa/"&gt;Reseña crítica: "Naiguatá en manos de Etxenara Mendicoa" (Hable Conmigo, S. de la Nuez)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.venezuelanpress.com/2019/04/19/la-inocencia-de-las-sardinas-una-novela-sobre-naiguata-en-madrid/"&gt;Cobertura de la presentación en Madrid (Venezuelan Press)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.venezuelanpress.com/2021/09/07/etxenara-mendicoa-galardonada-con-el-premio-a-mejor-novela-historica-por-la-inocencia-de-las-sardinas/"&gt;Premio a Mejor Novela Histórica (Venezuelan Press)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://irratia.donostiakultura.eus/es/programas/diaspora-venezolana-habla/la-diaspora-venezolana-habla"&gt;Entrevista radiofónica — La Diáspora Venezolana Habla, prog. 97 (Donostia Kultura Irratia)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://centrosvascosvenezuela.com/jazoera-104/la-inocencia-de-las-sardinas-de-etxenara-mendicoa/"&gt;Cobertura vasco-venezolana (Federación de Centros Vascos de Venezuela)&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>Debut novel by Spanish poet and writer Miriam Reyes (Ourense, 1974), winner of the Premio Nacional de Poesía 2025, published by Editorial Tránsito in October 2025. The work follows an eight-year-old girl who emigrates from Galicia to Caracas in 1983, tracing her adaptation and Venezuela's slow political and social decline. A hybrid of autofiction, diary, and chronicle that addresses migration from the unusual perspective of a foreigner within Venezuela.</text>
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                <text>https://editorialtransito.es/libro/la-edad-infinita/</text>
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                <text>&lt;h3&gt;Book presentation with writer Lara Moreno (video, October 2025)&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/HEqLVNEAbeY" title="Miriam Reyes — La edad infinita, presentation with Lara Moreno" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.infobae.com/espana/2025/12/12/miriam-reyes-premio-nacional-de-poesia-2025-presenta-su-debut-novelistico-sobre-la-migracion-uno-se-queda-para-siempre/"&gt;Interview — Infobae España (December 2025)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://editorialtransito.es/libro/la-edad-infinita/"&gt;Publisher page — Editorial Tránsito&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="http://miriamreyes.com/bio/"&gt;Author website — miriamreyes.com&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>&lt;em&gt;&lt;strong&gt;Las libretas&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Venezuelan diaspora--Mexico; Writers' notebooks; Creative writing; Venezuelan literature; Essay; Memory; Exile writing</text>
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                <text>Hybrid book by Venezuelan writer Fedosy Santaella (Puerto Cabello, 1970), resident in Mexico City since 2017, published by AB ediciones in 2023. Combining diary, essay, and chronicle, the work reflects on the function of notebooks in the writer's life and in everyday experience, exploring memory, writing as practice, and the condition of displacement.</text>
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                <text>&lt;h3&gt;&lt;a href="https://www.eluniversal.com/entretenimiento/155945/fedosy-santaella-dentro-y-fuera-del-pais-hay-muchos-poetas-jovenes-haciendo-maravillas"&gt;Interview — El Universal Venezuela (2023)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://www.latercera.com/culto/2024/08/02/la-resistencia-de-la-literatura-venezolana-los-escritores-que-han-abordado-a-una-nacion-en-crisis/"&gt;Profile — La Tercera: "The resilience of Venezuelan literature" (2024)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="http://fedosysantaellabio.blogspot.com/"&gt;Author website — fedosysantaellabio.blogspot.com&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;&lt;a href="https://itinerancias.es/entrevista-a-gustavo-valle/"&gt;Interview — Itinerancias (2023)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://pre-textos.com/autores/gustavo-valle/"&gt;Author page — Editorial Pre-Textos&lt;/a&gt;&lt;/h3&gt;</text>
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&lt;h3&gt;Interview with director Héctor Torres (video, July 2023)&lt;/h3&gt;&#13;
&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/YDII_yJvu7g" title="Héctor Torres — Caminos a ninguna parte" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&#13;
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&lt;h3&gt;&lt;a href="https://www.imdb.com/title/tt28181777/"&gt;IMDb listing&lt;/a&gt;&lt;/h3&gt;</text>
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                <text>&lt;h3&gt;"Nonbinary"&lt;/h3&gt;&#13;
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&lt;h3&gt;&lt;a href="https://www.elnacional.com/entretenimiento/propulsiva-lasciva-diferente-arca-la-artista-del-presente-y-del-futuro/"&gt;Profile — El Nacional: "The artist of the present and future" (2024)&lt;/a&gt;&lt;/h3&gt;&#13;
&lt;h3&gt;&lt;a href="https://es.wikipedia.org/wiki/Arca_(cantante)"&gt;Wikipedia ES — Arca&lt;/a&gt;&lt;/h3&gt;&#13;
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                <text>Performance and installation by Venezuelan multidisciplinary artist Deborah Castillo (Caracas, 1971), presented at the Museo Universitario del Chopo (UNAM), Mexico City, June 15–26, 2022. The work consists of three consecutive actions in which the artist attacks wet clay busts of authoritarian Latin American figures, interrogating the iconography of the caudillo and the patriarchal monument. Part of an international series previously staged in the United States and Brazil.</text>
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&lt;h3&gt;&lt;a href="https://artishockrevista.com/2022/07/29/deborah-castillo-desafiando-al-coloso/"&gt;Critical coverage — Artishock Revista (July 2022)&lt;/a&gt;&lt;/h3&gt;&#13;
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                <text>Third studio album by Venezuelan-born Miami-based duo Mau y Ricky, released May 31, 2024 under their independent label Why Club Records. The 15-track project was conceived and partially recorded during the brothers' return to Venezuela after 15 years of absence, with all music videos filmed in Caracas employing over 200 local creatives. Received three Latin Grammy nominations and named one of Billboard's 24 best albums of the year.</text>
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                <text>“Veneka” reclaims a historically derogatory term and transforms it into a tribute to Venezuelan women: joyful, self-assured, and multifaceted. The song blends urban rhythms with culinary, sporting, local, and diasporic references to celebrate their talent, independence, and beauty as expressions of identity and cultural resilience.</text>
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                <text>audio/mp3</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15141">
                <text>Spotify</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15142">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="15143">
                <text>&lt;br /&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/NINJaFSfyzg?si=-ajxscoq6DGxC_fW" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15144">
                <text>External Resource</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="15181">
                <text>MUS035</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1493">
        <name>collective voice</name>
      </tag>
      <tag tagId="521">
        <name>emergency</name>
      </tag>
      <tag tagId="1419">
        <name>hope</name>
      </tag>
      <tag tagId="40">
        <name>protest</name>
      </tag>
      <tag tagId="1494">
        <name>sensitivity</name>
      </tag>
      <tag tagId="1495">
        <name>unity</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
