“No Hay” is a deeply introspective and melancholic piece. With a gentle voice and immersive melody, Nana Cadavieco conveys a sense of reflective emptiness, exploring moments where perhaps “there is no” answers, nor certainties.

“Lejos” conveys a deep yearning for escape and belonging. With lines like “What am I doing here? Paying to live… Far from where I was born,” the song captures the frustration of feeling out of place and the urge to reconnect with one’s identity.

How to Measure Time is a reflective exploration of existence and temporality by Korean-Venezuelan artist Suwon Lee. Through photography and mixed media; the series delves into cyclical patterns of life; from celestial rhythms to human experiences of…

NatuUrban Symphony is an immersive sound art experience by Venezuelan-American artist Muu Blanco. Visitors step into a world where urban and natural landscapes merge through sound; exploring migration and identity. The exhibition space becomes a…

Wake is a bilingual poem reading performance by Sebastián Rodríguez y Vasti. The title serves as a metaphor for mourning; memorializing; and water—physical waterways; emotional drowning; and tears. Sebastián reflects on growing up near the water and…

to the strangers i love deeply is a textile installation exploring the artist's relationship to family; community and love through textiles as love gestures. The work includes delicate woven textiles with digitally printed family photographs of…

A Suspended Space is a VR environment recreating the artist's grandmother's bedroom in Caracas. The room floats like an island on water; representing both the Venezuelan-Caribbean coastline and the inaccessibility of this space; only reachable…

The Million(s) Bag Project is a lifelong project of drawing one bag per Venezuelan migrant; totaling 7.1 million bags. Starting in mid-2020; Venezuelan artist Francisca Sosa López draws a minimum of 250 bags daily. The repeating activity serves as…